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Art mattered in the Renaissance... People expected painting, sculpture, architecture, and other forms of visual art to have a meaningful effect on their lives,” write the authors of this introduction to Italian Renaissance art.
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A glance at the pages of Art in Renaissance Italy shows at once its freshness and breadth of approach, which includes thorough explanation into how and why works of art, buildings, prints, and other forms of visual production came to be. The authors also discuss how men and women of the Renaissance regarded art and artists, why works of Renaissance art look the way they do, and what this means to us. Unlike other books on the subject, this one covers not only Florence and Rome, but also Venice and the Veneto, Assisi, Siena, Milan, Pavia, Padua, Mantua, Verona, Ferrara, Urbino, and Naples—each governed in a distinctly different manner, every one with individual, political, and social structures that inevitably affected artistic styles. Spanning more than three centuries, the narrative brings to life the rich tapestry of Italian Renaissance society and the art that is its enduring legacy. Throughout, special features, including textual sources from the period and descriptions of social rituals, evoke and document the people and places of this dynamic age.
- Sales Rank: #506559 in Books
- Published on: 2011-07-09
- Original language: English
- Number of items: 1
- Dimensions: 11.50" h x .90" w x 8.80" l, 3.40 pounds
- Binding: Paperback
- 576 pages
From Library Journal
This fine work by Paoletti and Radke (art history, Wesleyan Univ. and Syracuse Univ., respectively) is wide in scope, covering the years from 1300 to the late 1500s, and purposely opens discussion to include many major Italian cities, in response to Vasari's bias solely for Florence. Whereas other books are organized by time (Frederick Hartt's History of Italian Renaissance Art, Abrams, 1994. 4th ed.), by artists (Sydney J. Freedberg's Painting in Italy, Yale Univ., 1992. o.p.), or by patronage (Alison Cole's Virtue and Magnificence, Abrams, 1995), this book's essence is the relationships among artist, art, location, and public. Other recent books have used this focus, but Paoletti and Radke manage a more adroit presentation. Primary source material is interspersed throughout the text to set concepts in their historic framework. Appendixes, including city maps, ruling genealogies, and artist's biographies, are constructive. Highly suitable as an introductory text, this is an excellent choice for public libraries.?Nadine Dalton Speidel, Cuyahoga Cty. P.L., Parma, Ohio
Copyright 1997 Reed Business Information, Inc.
From the Publisher
"Art mattered in the Renaissance... People expected painting, sculpture, architecture, and other forms of visual art to have a meaningful effect on their lives," write the authors of this importand new look at Italian Renaissance art. A glance at the pages of Art in Renaissance Italy shows at once its freshness and breadth of approach, which includes thorough explanation into how and why works of art, buildings, prints, and other kinds of art came to be. Also discussed is how men and women of the Rena issance regarded art and artists as well as why works of Renaissance art look the way they do, and what this means to us. Unlike other books on the subject, this one covers not only Florence and Rome, but also covers Venice and the Veneto, Assisi, Siena, Milan, Pavia, Padua, Mantua, Verona, Ferrara, Urbino, and Naples -- each governed in a distinctly different manner, every one with its own political and social structures that inevitably affected artistic styles. Spanning more than three centuries, the narrative brings to life the rich tapestry of Italian Renaissance society and the art works that are its enduring legacy. T hroughout, special features evoke and document the people and places of this dynamic age.
From the Back Cover
Key Benefit: This book accounts the art and artists of Italy during the time period from the mid-thirteenth century to c. 1600. Key Topics: Unlike similar books, which tend to overemphasize Florentine art, this book introduces new material and more extensive discussion of artists from Milan, Venice, Naples and other regions, in addition to coverage of the innovations and critical importance of Florentine art. The authors consider the times, places and conditions in which artists worked in concert with issues of style, thus broadening the scope of coverage to include the dynamics of interaction between artist and patron; artist and topological tradition.
Most helpful customer reviews
28 of 40 people found the following review helpful.
A must for any artist!
By Roy G. Varn
This book is far and above what I had expected. Emphasis was placed on being user friendly, which is paramount with such a heavy topic. Side bars on the inner political, religious, and general public life help to clarify what influenced the artist in making choices of subject, style, and composition. I now have a clearer understanding of why I paint how I do, and why we as a culture critique art the way we do.
1 of 1 people found the following review helpful.
Beautiful and Informatiive
By Anissa
I had to purchase this book for an Italian Renaissance Art class, and initially I did not want to do this as it was only a general education class and had nothing to do with my major.
Boy, was I pleasantly surprised. This book offers plenty of historical context to the art pieces including the why patrons commissioned certain types of art, why artists were motivated to create specific works and what the benefits (and drawbacks) were for them. I am not very good at history and have never studied art in my life but this book was absolutely fantastic. There are full-color reproductions of many famous works of art (if it's in Italy and you can think of it, it is in this book) and many lesser-known ones.
As far as textbooks go, and while I wish that in general they were cheaper, I think this one is a relatively fair price. It hurt to shell out $80 or so for this when I bought it, but I have to say I won't be reselling it. It has definitely been a book to pop open when I'm in the mood.
Everything from the photos to the commentary in this book is interesting and it was truly a pleasure to read. There is SO much context provided and if you ever want an overview of what we generally think of as the "Renaissance," and the art that was produced during that time, this is the book to purchase.
2 of 3 people found the following review helpful.
Brilliant! But I just have one suggestion for a dream fifth edition
By Simon Esposito
The other reviews are spot-on, and all I can add is one suggestion for how I think the book could be improved.
The choice of works for discussion and reproduction is excellent (as is the quality of the reproductions), but I wish there could have been room for maybe half a dozen more key works to be reproduced full-page, or even in double-page size. For example, Fra Angelico's fresco 'The Annunciation' appears much too small to appreciate the subtleties of the depiction of Gabriel and Mary. Fra Lippi's 'Adoration' and Uccello's 'Battle of San Romano' suffer a lot, too. I want to be saved from having to buy separate prints of these works!
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