[O646.Ebook] Ebook Download The Art of Juliana Jewelry, by Katerina Musetti

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The Art of Juliana Jewelry, by Katerina Musetti

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This exquisite book takes you to a jewelry Magical Kingdom of theatrical beauty, showcasing dazzling Juliana crystal jewelry made by William DeLizza and Harold Elster from 1947 to the 1990s. Over 375 color photographs display the largest collection of str

• Sales Rank: #964126 in Books
• Brand: Brand: Schiffer Publishing
• Published on: 2008-02
• Original language: English
• Number of items: 1
• Dimensions: 11.25" h x 8.50" w x 1.25" l, 3.39 pounds
• Binding: Hardcover
• 223 pages

Features

• Used Book in Good Condition

Most helpful customer reviews

26 of 26 people found the following review helpful.
Must Have Reference for Juliana Jewelry
By Sheryl Backman
If you don't already know, DeLizza and Elster jewelry is among the most sought after costume jewelry around. Their use of unfoiled stones, art glass and other specialty rhinestones in fantastic multi-layered designs has made Juliana jewelry a standout. This beautiful jewelry is also extraordinarily well made, so it has held up well over the years.

Since DeLizza and Elster jewelry was never signed, it's always been difficult for the average collector to identify. Fortunately, Musetti's book contains a very detailed section on how to identify Juliana jewelry. She also uses lots of photos so that you can clearly understand exactly what she is describing to help with identification.

The book contains over 450 beautiful color photographs of DeLizza and Elster Juliana jewelry. My only criticism of the book is that some of the photos are a bit repetitious. On the other hand, I was also very pleased that Musetti included photographs of pieces that were attributed to and signed by other makers, such as Weiss, that were actually made by DeLizza and Elster.

I have a few pieces of jewelry in my collection that I had long suspected were Juliana, and I was delighted that my assumptions could actually be confirmed with photographic evidence from this book.

This is an absolute must have book for both the fledgling as well as experienced collector of costume jewelry.

Dawnjewels

14 of 14 people found the following review helpful.
Mouth-Watering Photos, But.....
By Lemon Eater
Mouth-watering photos of glam Juliana parures, but not extremely useful for the collector of the odd brooch or set of earrings found at yard sales and second-hand shops.

There are few details regarding identifying characteristics, and I don't believe there is any first-hand information from either Mr. DeLizza or Mr. Elster in the text.

Savvy jewelry collectors easily recognize the D & E cat's eye and Easter egg gems but there are many other pieces which might not be so quickly identified; I was hoping for further information on these unpretentious yet lovely finds.

12 of 12 people found the following review helpful.
Outstanding Jewelry Book!
By Deborah J. Reece
This book is truly amazing! The photographs are outstanding, not to mention the wonderful information provided on Juliana jewelry. It was wonderful to see a book that displayed this jewelry so beautifully. I strongly recommend this book to anyone who loves the gorgeous glitzy jewelry made by DeLizza & Elster. Thank you so much, Ms. Musetti, this will be one of my most treasured jewelry books that I know I will use over and over again!

See all 54 customer reviews...

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[Q957.Ebook] Get Free Ebook The Agency: William Morris and the Hidden History of Show Business, by Frank Rose

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For decades, hidden from the public eye, William Morris agents made the deals that determined the fate of stars, studios, and networks alike. Mae West, Frank Sinatra, Marilyn Monroe, Danny Thomas, Steve McQueen--the Morris Agency sold talent to anyone in the market for it, from the Hollywood studios to the mobsters who ran Vegas to the Madison Avenue admen who controlled television. While the clients took the spotlight, the agency operated behind the scenes, providing the grease that made show business what it's become.

The story begins more than a century ago, when a fiery young immigrant named William Morris opened a vaudeville-booking office on New York's Fourteenth Street and went up against the trust that ruled the leading entertainment medium of the day. Led after Morris's death by the legendary Abe Lastfogel, a cherubic little man who treated agents and clients alike as family, the firm transformed the agent's image from garish flesh-peddler to smooth-talking professional. But when Lastfogel's successor brutally sacrificed his best friend--the man who'd brought Barry Diller and Michael Ovitz out of the mail room--William Morris gave birth to its own nemesis: Ovitz's new firm, CAA. Throughout the '80s and '90s, as the Morris Agency made, and lost, such stars as Mel Gibson, Julia Roberts, Kevin Costner and Tom Hanks, Ovitz's power grew inexorably as Morris's waned. Lulled by the phenomenal success of Bill Cosby and the upward spiral of the Beverly Hills real estate market, Morris's board failed to act as death and defection thinned its ranks. Finally, with its flagship motion-picture department on the brink of collapse, the board was faced with the stark reality of having to buy its way back into the business it had once owned.

• Sales Rank: #461495 in Books
• Brand: Brand: HarperCollins
• Published on: 1995-07
• Original language: English
• Number of items: 1
• Dimensions: 9.50" h x 6.50" w x 2.00" l,
• Binding: Hardcover
• 528 pages

Features

• Used Book in Good Condition

From Publishers Weekly
The growth of the William Morris Agency, founded in 1898, has mirrored the evolution of the entertainment industry. The agency began by booking vaudeville acts, then continued to supply talent to the ever-changing show biz formats?silent movies, radio, "talkies" and TV. And as entertainment become more of a big business, the power of the Morris Agency grew along with it. Rose's descriptions of the formative years of the agency and show business is slow-moving, but his narrative picks up as he details the era of Abe Lastfogel, who headed Morris from the early 1930s to 1969. Rose (West of Eden) really hits his stride in the last third of the book, when his focus shifts from the stars to the Morris agents themselves. Here he vividly describes the Machiavellian tactics employed by the firm's agents against other agencies and against each other to steal clients to advance their own power. Infighting among the Morris agents became public in 1975 when Michael Ovitz and four others bolted to form Creative Artists Agency. Entertainment-industry junkies will find Rose's entire work enjoyable, but more casual readers will likely skim the early sections. Photos not seen by PW.
Copyright 1995 Reed Business Information, Inc.

From Booklist
This would be a fascinating enough story if it was limited to the history of the William Morris Agency, the theatrical agency that has dominated the entertainment industry since the days of vaudeville. But you can't tell the William Morris story without immersing yourself in the history of show business in the twentieth century--how it evolved, who the movers and shakers were, where the business might be heading as the century draws to a close. Rose's exhaustive research is evident throughout. More than 200 sources were used, and while these personal remembrances are what gives the book its depth, the numerous anecdotes also occasionally weigh it down. Not that there's anything very dishy here. One would expect that a story featuring a cast of characters like Marilyn Monroe, Barbra Streisand, Frank Sinatra, and Bill Cosby, to name a few, would have a few tales to tell, but Rose sticks pretty much to the business side of their lives. The real stars here are the agents themselves. For once, the backstage boys get to step center stage, and it's power and influence that give them their glow. Ilene Cooper

Review
"A cram course on the modern entertainment business as seen...from the point of view of the humble apparatchiks who doggedly tried to prevent the lunatics from wrecking their asylum." --New York Times Book Review

"The Agency is more than a titillating string of boldface names... Rose uses the saga of the Morris Agency's rise and fall as a prism through which to examine the constantly evolving nature of show business." --Los Angeles Times Book Review

"If you like to read juicy details of the usually dysfunctional lifestyles of movie and television stars, this is a book for you." --Chicago Tribune

"Reveals the shark tank at its most lethal and hilarious." --San Francisco Chronicle

"It's a darker side of show biz than one sees on Entertainment Tonight." --USA Today

Most helpful customer reviews

0 of 0 people found the following review helpful.
A Very Informative Book
By Kevin Treglia
This book is a highly detailed account of the William Morris Agency. It details the people and the events that helped it evolve into the company it is today.

3 of 3 people found the following review helpful.
Terrrific book
By David Rensin
Frank Rose's book really delivers a fascinating history of William Morris. It's not about the stars as much as the men (and women) who helped make the stars -- the "star-making machinery" as Joni Mitchell sang in "Free Man in Paris," her ode to David Geffen, himself one of the William Morris men who, incidentally, became a star himself. The Agency is substantial stuff -- and it was a full on inspiration for my own book, The Mailroom, which came later, and covered the Wm Morris Agency in part. Classic stuff, this book.

8 of 14 people found the following review helpful.
Tedious History of Agency Filled With Names But Little Else
By Mediaman
After seeing this book referenced in a couple Hollywood biographies, I expected to have a book filled with interesting insider stories of the movie and TV business. Instead this lengthy historical project is filled with page after page of unfamiliar names of agents and the stars are only peripheral to the story.

The main problem is that the author tries to cover too much territory--explaining almost 100 years of the William Morris agency. The beginning years of vaudeville could have been covered in a few paragraphs instead of 50 pages. The minute details of insignificant agents should have been left out and instead the focus could have been on the Hollywood stars served by the agents.

There are a few interesting tidbits, but rarely is any detail given to any subject. The early years of television include some often unheard facts about how stars were drawn to the tube. But major events in the business get a paragraph or two. Most of it is based on second-hand research from others books, which results in a number of mistakes by omission or "facts" taken out of context.

At almost 500 pages, it's a long, tedious bore that will only be of interest to entertainment historians. It's not for those looking for an entertaining read filled with insights into how Hollywood works.

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[Q112.Ebook] Free PDF Shame on It All: A Novel, by Zane

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[U791.Ebook] Ebook Download One Million Tattoos, by Jian Yi

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Once exclusive to sailors and tribal warriors, tattoos are now all the rage with everyone from the rock-n-roll crowd to groovy grannies. Discover the wild world of tattoo art in One Million Tattoos: Designs to Create and Color. This unique title features a full-color book, showcasing the biggest collection of tattoo art ever compiled, bundled with computer software that gives you the chance to create well over 90 million tattoo designs. Unlike getting a tattoo, creating a tattoo is painless! The companion CD includes easy-to-follow menus that allow even novices to design intricate, attractive tattoo art. Choose from classic old-school designs like sailor banners, “I Love Mom” hearts, and leaping panthers, or get inspired by ancient tribal designs and New Age looks. Mix and match to your heart's content! Print out thousands of combinations of original tattoo designs to color and incorporate into your own tattoo art!

• Sales Rank: #864318 in Books
• Brand: Brand: Thunder Bay Press
• Published on: 2010-10-01
• Original language: English
• Number of items: 1
• Dimensions: .85" h x 8.52" w x 8.62" l, 1.33 pounds
• Binding: Hardcover
• 128 pages

Features

• Used Book in Good Condition

Most helpful customer reviews

10 of 10 people found the following review helpful.
It's an okay product, but def. not ONE MILLION tats in here
By Pauline George
The book has all the flash in it and the CD allows you to customize the flash sheet, by letting you choose the ones you want on it. Although it allows you to do that it is not ONE MILLION tattoos, it is the same set of flash you just change the arrangement of it.

8 of 9 people found the following review helpful.
It is interesting.
By CamiD
I bought this book thinking this will be really nice for someone like me who is artistically challenged. It is a really nice book there are a ton of amazing drawings in it that can really give you a great idea on what to make your next tattoo look like. I would say that the only downfall is that you have to already have some kind of an image editing software on your computer to really use the cd. I do not really have anything on my computer like that so all I can do is just look at the images and rearrange them but it definitly does give you a starting point and then you could at least take a potential idea to an artist. I do really like all of the images in the book though it gives you a very broad range of ideas.

12 of 14 people found the following review helpful.
tattoo design software
By Robbie
This product did arrive fast, but it lacked in quality. It is not a tattoo 'creator' or 'designer'. It is simply pick and choose from their clip art. You cant even choose where to click and drag images. They are low resolution and not detailed. The only control you would have is to choose the color but there was a problem with the software I received and it did not function properly.

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[V413.Ebook] PDF Ebook The Art of Comic Book Writing: The Definitive Guide to Outlining, Scripting, and Pitching Your Sequential Art Stories (SCAD Creative Essent

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A practical guide for beginner and advanced comic book writers that outlines the steps needed to successfully craft a story for sequential art.
     With this latest book in the SCAD Creative Essentials series from the esteemed Savannah College of Art and Design, comics writer and instructor Mark Kneece gives aspiring comic book writers the essential tools they need to write scripts for sequential art with confidence and success. He provides a practical set of guidelines favored by many comic book publishers and uses a unique trial and error approach to show would-be scribes the potential pitfalls they might encounter when seeking a career in comics writing. Supported by examples of scripting from SCAD's students, faculty, and alumni,The Art of Comic Book Writing strips away the mysteries of this popular artform and provides real-world advice and easy-to-follow examples for those looking to write for the comics medium.

• Sales Rank: #98219 in Books
• Published on: 2015-09-08
• Released on: 2015-09-08
• Original language: English
• Number of items: 1
• Dimensions: 10.89" h x .49" w x 8.51" l, .81 pounds
• Binding: Paperback
• 192 pages

About the Author
MARK KNEECE earned his M.A. from the University of South Carolina, and has been teaching at the Savannah College of Art and Design (SCAD) since 1993. He has created eight graphic novel adaptations of The Twilight Zone, and has published numerous graphic novels and comics, including work for Hellraiser, Verdilak, Alien Encounters, Batman: Legends of the Dark Knight, and The Spirit.

Most helpful customer reviews

13 of 13 people found the following review helpful.
Great book for comic book writers!
By Kevin Taylor
I have a weakness for the SCAD books published by Watson-Guptill, they are usually beautifully laid out with a lot of useful information. This one is no exception. The writing is clear, concise and scholarly without being overly academic or dry. This book will help you structure your story and create the script in a technically correct format. I dabble in comic writing in my spare time and this book has already saved me time and headaches finessing my own story.

10 of 10 people found the following review helpful.
Lots of good general information
By WRA
I bought this book simply looking for examples of comic script format but got a good general reference book instead. Don't get me wrong, there are tons of examples, way more than I anticipated but this is really a solid textbook and I would suggest it to anyone interested in comic writing.

7 of 7 people found the following review helpful.
The Art of Comic Book Writing - 4 Stars
By Rachel Harris
A lot of concise information on scripting, writing, and pitching comics. It has a lot of good advise about crafting your comic and setting it up while covering pitfalls new writers make. Being able to look at comic scripts with notes of what is working and why and vise versa was good because that is never something anyone just sees from reading comics. Something, though, while I was reading kept making me feel that the information was too quick, that there was more to say on stuff yet it was a decently long book so I'm not sure what could have been missed. Also, this is just personal feelings but, I don't like the word "definitive" in the subtitle because no writing book ever has all the information you need which even the author said to keep working on and learning. Yet, this is a book I will be referencing as I work on my first comic script and would recommend to those interested in learning the craft.

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[T783.Ebook] Ebook Download Workshop Mastery with Jimmy DiResta: A Guide to Working With Metal, Wood, Plastic, and Leather, by Jimmy DiResta, John Baichtal

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Jimmy DiResta has made a name for himself with his inventiveness and workshop skills, creating dozens of projects for YouTube videos and television shows such as Hammered and Against the Grain on the DIY network. In Make: Workshop Mastery With Jimmy DiResta, Jimmy and co-author John Baichtal teach readers essential workshop skills with over a dozen projects that explore everything from mold-making to CNC routing on to metalsmithing.Projects in this book include:

• Tool-drawer cabinet
• A chess set
• One-sheet metal stool
• A machete
• Crowbar-hammer mashup
• An electric guitar with a carved body
• Your own sign
• A leather backpack

• Sales Rank: #225155 in Books
• Published on: 2016-10-25
• Original language: English
• Number of items: 1
• Dimensions: 9.84" h x .59" w x 5.91" l, .0 pounds
• Binding: Paperback
• 250 pages

About the Author

Jimmy DiResta is an experienced television personality as an on-camera designer/builder host. Jimmy combines his charisma, his innate ability to solve problems with found objects, and a wide variety of tools and techniques, with sweat and brute force. He has appeared on the Discovery Channel, HGTV, DIY, and FX Networks as a host and co-host.

John Baichtal has written or edited over a dozen books, including the award-winning Cult of Lego (2011 No Starch Press), LEGO hacker bible Make: LEGO and Arduino Projects (2012 Maker Media) with Adam Wolf and Matthew Beckler, Robot Builder (Que 2014) and Basic Robot Building with LEGO Mindstorms NXT 2.0 (Que 2012), as well as Building Your Own Drones (forthcoming from Que). His most recent book is Maker Pro (Maker Media 2014), a collection of essays and interviews describing life as a professional maker. John lives in Minneapolis with his wife and three children.

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Workshop Mastery with Jimmy DiResta: A Guide to Working With Metal, Wood, Plastic, and Leather, by Jimmy DiResta, John Baichtal PDF
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NYRB Classics Original
Winner of the Nobel Prize in Literature

In the Caf� of Lost Youth is vintage Patrick Modiano, an absorbing evocation of a particular Paris of the 1950s, shadowy and shady, a secret world of writers, criminals,�drinkers, and drifters. The novel, inspired in part by the circle (depicted in the photographs of Ed van der Elsken) of the notorious and charismatic Guy Debord, centers on the enigmatic, waiflike figure of Louki, who catches everyone’s attention even as she eludes possession or comprehension. Through the eyes of four very different narrators, including Louki herself, we contemplate her character and her fate, while Modiano explores the themes of identity, memory, time, and forgetting that are at the heart of his spellbinding and deeply moving art.

• Sales Rank: #224040 in eBooks
• Published on: 2016-03-08
• Released on: 2016-03-08
• Format: Kindle eBook

Review
“[M]odiano at his height. In 1950s Paris, a young woman nicknamed Louki haunts a caf� called the Cond�, casting a decided allure yet remaining mysterious and unknowable. A young hanger-on, the husband she abandoned, the detective searching for her—all try to grasp her and fail. Not unexpectedly, Modiano withholds her secret life to the end.” —Library Journal, starred review

“In the Caf� of Lost Youth is a kind of suspense story. It is a story about the many facets of a single woman but also, unquestionably, a story about the multiple worlds within Paris, a city that, as much as any individual human being, remains essentially unknowable. It casts a near hypnotic spell.”�—Douglas Kennedy, L’Express

“Every area described is also imbued with layers of emotion. . . . Readers are left haunted by the cityscape Modiano paints.”�—Henri Astier, The Times Literary Supplement�

“Modiano’s books develop a different tone, one more mellow and melancholic, somewhere between sepia and film noir, more akin to the photographs of Henri Cartier-Bresson than to the work of other writers.”�—Rachel Donadio, The New York Times

“[An] edge of mystery, of indirection, motivates [Modiano’s work] like an animating force...a vivid air of the conditional, which is, of course, the whole idea. For Modiano, memory, experience are fluid, fleeting, and even the stories we tell ourselves are subject to change. Our lives flicker past us like the afterimage of a photo; eventually, our attempts at constancy must fall away.”—David Ulin, Los Angeles Times
�
“Modiano is a pure original. He has transformed the novel into a laboratory for producing atmospheres, not situations—where everything must be inferred and nothing can be proved.”—Adam Thirwell, The Guardian
�
“Like W.G. Sebald, another European writer haunted by memory and by the history that took place just before he was born, Modiano combines a detective’s curiosity with an elegist’s melancholy.”—Adam Kirsch, The New Republic

“The genius of Modiano's work lies in how it straddles the very real moral chaos of post-Vichy France and his creation of an idiosyncratic milieu. Patrick Modiano goes beyond the checklist accuracies of historical fiction, fashioning a lush fever dream filled with glamor, mystery, and despair.” —Karl Wolff, New York Journal of Books

“[C]arefully, artfully constructed...[an] impressive, accomplished work.” —M.A. Orthofer,�Complete Review

About the Author
Patrick Modiano was born in the Boulogne-Billancourt suburb of Paris near the end of the Nazi occupation of France. He studied at the Lyc�e Henri-IV and the Sorbonne. As a teenager he took geometry lessons with the writer Raymond Queneau, who would play a key role in his development. He has written more than thirty works of fiction, including novels, children’s books, and the screenplay for Louis Malle’s film Lacombe, Lucien. In 2014, Modiano won the Nobel Prize in Literature.

Chris Clarke was born and raised in British Columbia, Canada, and lives and works in and around New York City. His published translations include work by Oulipo members Raymond Queneau and Olivier Salon. He currently teaches French and is translating a novel by Pierre Mac Orlan, which will be published in 2016.

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6 of 6 people found the following review helpful.
Rich and Complex
By Spencer Reppe
This is the 14th book by Modiano that I've read, and I'll have to rate it as one of my favorites. As with many of his books it is about identity, memory, time, forgetting and escaping—and of course, Paris. I find it necessary to have my well worn Borsch laminated map of Paris on hand whenever I read Modiano. And now I will also recommend that Modiano fans also read his memoir, Pedigree, in order to fully comprehend where he is coming from, as much of what he writes is autobiographical, this book being no exception.
This novella is written in four chapters, each from the first person point of view of four different characters, all of whom have a connection to a 22 year old young woman known as Louki, a name given to her in a baptism or second birth by someone known as Tarzan, or was it Zacharias? The large cast of characters can be confusing. There is a cast of about two dozen of mixed nationalities and backgrounds, most of whom frequent the Caf� Cond�. They have interesting nicknames such as "the Jaguar", "the Captain", "Crossbones", and of course Louki. She is also known as Jacqueline Choureau nee Delanque, formerly of Montmartre 9th and 18th arrondissements, and currently of Montparnasse 6th and 14th arrondissements. She is reading Lost Horizon, which figures prominently in the action. Modiano uses the Caf� Cond� as a fixed point around which much of the action takes place.

The story starts with the narration of a young engineering student who is trying to fit in with the artsy crowd at Cond�. The action opens with a description of a roster of the Cond� habitu�s that is kept by fellow habitu� Bowing, the Captain. It catches the attention of a Mr. Pierre Caisley, who says he is an "art publisher". He seems to be interested in Louki, and anyone she hangs out with.

We find out in the second chapter that Mr. Caisley is not who he says he is, and the story starts to cascade and tumble from there. Action moves to multiple locations around Paris as Louki is looking for "neutral zones" that are places of safety, always trying to avoid the "black holes", or places of danger.

The third chapter is narrated by Louki, and she paints a very different picture of the events that we have witnessed so far. We learn about drugs and the role they play in the plot. In chapter 4, Roland, the aspiring writer steps forward. To me he is the personification of Modiano himself at age twenty. He identifies with Louki and her attempts to flee and hide, for he has had many of the same experiences. All four of the narrators come together in the final pages for a dramatic ending that I truly did not see coming.

It is a short book, but very rich and complex. I had to read it twice in order to catch all the details and nuance. Modiano is able to pack a lot into a very small package. I would rate this book at the same level as Missing Person (1978), Honeymoon (1990),and Dora Bruder (1997). The four books give the reader a span of work spreading more than 35 years and is a good starting point for anyone interested in Modiano.

1 of 1 people found the following review helpful.
great writer
By martin
great writer

0 of 0 people found the following review helpful.
Five Stars
By Amazon Customer
A great book. A must read

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