[F863.Ebook] Ebook Applied Groundwater Hydrology & Well Hydraulics, by Michael Kasenow, PHD

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This third edition of Dr. Kasenow's highly acclaimed first edition provides review and application in regard to the mechanics of ground-water flow and aquifer analysis. Using common language and carefully constructed illustrations, this book has been written for those of us who think visually. The mathematics have been enhanced and thoroughly demonstrated through the use of many solved example problems that do not skip essential steps in the solution process. Chapters in the first half of the book emphasize ground-water hydrology. The second half of the book details aquifer analysis, a subject extremely important to almost every aspect of the ground-water industry. This book also includes and expands upon ground-water flow problems, fractured rock and karst aquifers, double porosity, flow nets, recharge and discharge functions of aquifers, step-drawdown tests, production well analysis, the storage coefficient, regression analysis, transmissive properties of aquifers, well field analysis, and much more. Almost all of the chapters have been expanded to include more detail, illustrations and solved problems. The AquifetTest for Windows Computer Program (Student Version) from Waterloo Hydrogeologic Inc., comes with the text. This edition has been expanded to detail the reality of ground-water flow, recharge and discharge functions of aquifers, pumping test basics, and coastal and island aquifers, it: 1-shows how the Theis Solution can be solved simply and without the curve. 2-provides a chapter on the theory and utility of the storage coefficient. 3-introduces an equation that solves for well interference drawdown in unconfined aquifers. 4-provides new methods in regard to step-drawdown tests, the utility of coefficients B and C, and the well performance equations. 5-shows how Darcy's Law, the Theis Equation and the Cooper-Jacob solution can be used to predict aquifer performance over time and distance. 6-provides a chapter on steady-flow problems. 7-shows how capture zone problems can be solved. 8-provides regression analysis as a solution process. 9-demonstrates how the storage coefficient can be obtained using recovery solutions. 10-provides chapters on production well performance. 11-provides a chapter on cost effective methods, including grain-size analysis and slug-and-bail down approximations. 12-completes the learning process with a chapter on well field analysis.

• Sales Rank: #2285484 in Books
• Brand: Brand: Water Resources Pubns
• Published on: 2010-01-10
• Original language: English
• Dimensions: 10.75" h x 8.50" w x 1.75" l, 4.20 pounds
• Binding: Perfect Paperback
• 820 pages

Features

• Used Book in Good Condition

Review
MICHAEL KASENOW possesses a wonderfully articulate yet pragmatic method of conveying his thoughts, intuitions and application of theory. His work stands the test of time. --Walter J. Bolt, Senior Project Manager, PM Environmental, Inc. Dr. Kasenow has shown both his creativity and drive to build on, rather than simply follow techniques developed by others. His books present relatively complex concepts in easy to understand graphic form without oversimplification. --Dana R. Unangst, Project Manager, Insight Environmental Services, Inc. As President of a consulting firm, I am always concerned with balancing costs and providing clients with complete and thorough data evaluations. Dr. Kasenow's practical application techniques have allowed my firm to complete thorough data evaluations at lower costs. Once one uses Dr. Kasenow's data evaluation programs, you are left with the feeling of 'why did I waste my time with other programs'? --Mark. B. Sweatman, CPG, President, Insight Environmental Services, Inc.

Dr. Kasenow has shown both his creativity and drive to build on, rather than simply follow techniques developed by others. His books present relatively complex concepts in easy to understand graphic form without oversimplification. --Dana R. Unangst, Project Manager, Insight Environmental Services, Inc.

As President of a consulting firm, I am always concerned with balancing costs and providing clients with complete and thorough data evaluations. Dr. Kasenow's practical application techniques have allowed my firm to complete thorough data evaluations at lower costs. Once one uses Dr. Kasenow's data evaluation programs, you are left with the feeling of 'why did I waste my time with other programs'? --Mark. B. Sweatman, CPG, President, Insight Environmental Services, Inc.

About the Author
Dr. Michael Kasenow, one of WRP's highly regarded and respected authors, is the staff hydrogeologist in the Department of Geography and Geology at Eastern Michigan University. Dr. Kasenow is an innovative researcher in the field of aquifer analysis, but more importantly, he is a ground-water consultant who actually does 'real world' work. He is a Certified Ground Water Professional (NGWA/AGWSE), and a Certified Professional Geologist (AIPG). He was a major player in the organization and development of the current hydrogeology and environmental analysis curriculum at EMU. For two year he was Director of Research for the Southeast Regional Ground Water Education in Michigan Center (SER-GEMS). He received his Bachelor of Science n Geology from EMU, and his MS and Ph.D. from Western Michigan University. His current research is primarily concerned with the estimation of aquifer parameters, and the relationship between lakes, rivers, wetlands and ground water. Dr. Kasenow's research in regard to aquifer analysis has appeared in the The Professional Geologist and in Environmental & Engineering Geoscience.

Most helpful customer reviews

0 of 0 people found the following review helpful.
Excellent textbook
By Richard Vogwill
A great book, very useful. Covers the subjects very well. Excellent for teaching and for problem examples. Recommended for groundwater practitioners.

0 of 0 people found the following review helpful.
THE VERY BEST HYDROGEOLOGY COMPENDIUM
By Feather Wilson
NOT ONE OF THE BEST, BUT THE BEST AND THE MOST COMPREHENSIVE COMPENDIUM PUBLISHED TODAY. I WISH IT WAS A KINDLE EDTION AS WELL.

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[D297.Ebook] Ebook Download Where the Heart Beats: John Cage, Zen Buddhism, and the Inner Life of Artists, by Kay Larson

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Where the Heart Beats: John Cage, Zen Buddhism, and the Inner Life of Artists, by Kay Larson

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A “heroic” and “fascinating” biography of John Cage showing how his work, and that of countless American artists, was transformed by Zen Buddhism (The New York Times)

Where the Heart Beats is the story of the tremendous changes sweeping through American culture following the Second World War, a time when the arts in America broke away from centuries of tradition and reinvented themselves. Painters converted their canvases into arenas for action and gesture, dancers embraced pure movement over narrative, performance artists staged “happenings” in which anything could happen, poets wrote words determined by chance.

In this tumultuous period, a composer of experimental music began a spiritual quest to know himself better. His earnest inquiry touched thousands of lives and created controversies that are ongoing. He devised unique concerts—consisting of notes chosen by chance, randomly tuned radios, and silence—in the service of his absolute conviction that art and life are one inseparable truth, a seamless web of creation divided only by illusory thoughts.

What empowered John Cage to compose his incredible music—and what allowed him to inspire tremendous transformations in the lives of his fellow artists—was Cage’s improbable conversion to Zen Buddhism. This is the story of how Zen saved Cage from himself.

Where the Heart Beats is the first book to address the phenomenal importance of Zen Buddhism to John Cage’s life and to the artistic avant-garde of the 1950s and 1960s. Zen’s power to transform Cage’s troubled mind—by showing him his own enlightened nature—liberated Cage from an acute personal crisis that threatened everything he most deeply cared abouthis life, his music, and his relationship with his life partner, Merce Cunningham. Caught in a society that rejected his art, his politics, and his sexual orientation, Cage was transformed by Zen from an overlooked and marginal musician into the absolute epicenter of the avant-garde.

Using Cage’s life as a starting point, Where the Heart Beats looks beyond to the individuals Cage influenced and the art he inspired. His creative genius touched Robert Rauschenberg, Jasper Johns, Andy Warhol, Yoko Ono, Alan Kaprow, Morton Feldman, and Leo Castelli, who all went on to revolutionize their respective disciplines. As Cage’s story progresses, as his collaborators’ trajectories unfurl, Where the Heart Beats shows the blossoming of Zen in the very heart of American culture.

• Sales Rank: #453910 in Books
• Published on: 2012-07-05
• Released on: 2012-07-05
• Original language: English
• Number of items: 1
• Dimensions: 1.80" h x 6.60" w x 9.30" l, 1.75 pounds
• Binding: Hardcover
• 496 pages

Review
“Heroic… fascinating.” --New York Times

“Inspirational… exuberant.” --Los Angeles Times

"Revelatory… Where the Heart Beats may not just be the best book written yet about John Cage; it’s probably also one of the most substantive-yet-readable entryways into the nexus of 20th-century American art and the immortal qualities of Eastern thought… one of the most profound, not to mention unexpected, gifts imaginable."--Slate

"Absorbing… no future commentator on Cage's work or influence will be able to ignore Larson's contribution…a milestone in contemporary cultural criticism." --San Francisco Chronicle

"Remarkable… without a doubt the richest, most stimulating, most absorbing book I’ve read in the past year, if not decade — remarkably researched, exquisitely written, weaving together a great many threads of cultural history into a holistic understanding of both Cage as an artist and Zen as a lens on existence… Not unlike Cage’s music, Where the Heart Beats: John Cage, Zen Buddhism, and the Inner Life of Artists is impossible to distill, to synthesize, to relay. Rather, its goodness is best experienced in full, with complete surrender." --Brain Pickings

"Strange and wonderful... a gloriously rich reading experience, studded with layers upon layers of deeply inspiring and endlessly fascinating paths. One of the best books of the year in any category." --NPR.org (A Favorie Music Book of the Year)

�

“Kay Larson's groundbreaking work makes for spellbinding reading.� Her understanding of John Cage is profound and her capacity to make Cage's own voice come alive is an enormous achievement.� Cage, for whom Buddhism was a central catalyst, made music his meditation.� Where the Heart Beats opens up Cage's creative process and connects us to Cage's most wonderful heart and mind.� This book is a deep well of inspiration that will be treasured forever.”����
��� --Mark Epstein, MD; author of Thoughts without a Thinker�����

“In her thoughtful and eloquent writing, Kay Larson beautifully conveys John Cage’s playful elegance, his love of contradiction and the originality of his thinking. She describes his method as a balance between rigor and freedom, a synchronization of body and mind. Cage’s arduous yet ultimately joyful path of discovery influenced generations of artists. The multi-faceted, layered form of the book reflects his process and elucidates the profound Buddhist and aesthetic principles that informed his life and art. Where the Heart Beats is a stunning achievement.”
��� --Meredith Monk, composer/director/performer

"This book is beautiful. It takes my breath away."
��� --Pat Steir, painter

About the Author
An acclaimed art critic, columnist, and editor, KAY�LARSON began her career in journalism in Cambridge, Massachusetts, at The Real Paper, then served as an associate editor at ARTnews and an art critic for the Village Voice. She was the art critic for New York magazine for fourteen years, and has been a frequent contributor to the New York Times. In 1994, she entered Zen practice at a Buddhist monastery in upstate New York. Though Larson has written for many types of publications, Where the Heart Beats is her first book.

Most helpful customer reviews

3 of 3 people found the following review helpful.
A Unifying Perspective of the Influence of Zen and the Emergence of the Contemporary Art Scene in America
By Practical Gal
If you ever wondered why the three items in the subtitle relate, wonder no more. Rather be curious enough to delve into it more deeply. Clearly written with just a bit of extraneous rmeandering this book had me "So maybe that's why I favor this direction rather than that in the art world..I never connected the two before or thought about connecting them." Of course I am a Californian and was familiar with the names, art, music, dance and Zen Center of San Fransico all of which I referred to and put into context for me. A definite buy whether you like John Cage's stuph or not, have an interest in the influence of Buddhism in the 20th century on American creativity.

12 of 12 people found the following review helpful.
Loved it and surprised I did.
By Handel lover
Fascinating. Ready to read it again to my surprise tho big and long but move between arenas and people so very engaging.

1 of 1 people found the following review helpful.
Best out there!
By MissVersatile
Finally someone took the time and research to write about the full life JOhn Cage had. Not just to focus on one thing about him. The problem with writing about just one piece of who John was means you leave out all the reasons he created his art. Everything about him from his upbringing, personal life, spiritual journey to mental health was part of the musical pieces we all enjoy to this day. You cannot truly write about him without writing about everything.

By the end of this book you discover John Cage and end with a much better understanding of each piece of music he created. You will feel like you actually know him. It is an amazing book, very well written and laid out.Very insightful.

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[D542.Ebook] PDF Download ERNEST HEMINGWAY ON WRITING, by Phillips

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"Throughout Hemingway's career as a writer, he maintained that it was bad luck to talk about writing -- that it takes off 'whatever butterflies have on their wings and the arrangement of hawk's feathers if you show it or talk about it.'"

Despite this belief, by the end of his life he had done just what he intended not to do. In his novels and stories, in letters to editors, friends, fellow artists, and critics, in interviews and in commissioned articles on the subject, Hemingway wrote often about writing. And he wrote as well and as incisively about the subject as any writer who ever lived....

This book contains Hemingway's reflections on the nature of the writer and on elements of the writer's life, including specific and helpful advice to writers on the craft of writing, work habits, and discipline. The Hemingway personality comes through in general wisdom, wit, humor, and insight, and in his insistence on the integrity of the writer and of the profession itself.

-- From the Preface by Larry W. Phillips

• Sales Rank: #697571 in Books
• Brand: Scribner
• Published on: 1984-06-01
• Ingredients: Example Ingredients
• Original language: English
• Number of items: 1
• Binding: Hardcover
• 140 pages

Features

• Used Book in Good Condition

Amazon.com Review
"Throughout Ernest Hemingway's career as a writer," says Larry W. Phillips in his introduction to Ernest Hemingway on Writing, "he maintained that it was bad luck to talk about writing." Hemingway seems to have courted bad luck. Phillips has amassed a slender book's worth of Hemingway's reflections on writing, culled from letters, books, interviews, speeches, and an unpublished manuscript. These musings are arranged into topics such as "Advice to Writers," "Working Habits," and "Obscenity" (of which there is plenty here). Sometimes ponderous, other times offhand, these thoughts form a portrait of a man driven to create not solely the best writing he could, but the best writing, period. Hemingway craved exactness, both in his work and in the work of others; he strove to make every word necessary. "Eschew the monumental," he wrote to Maxwell Perkins in 1932. "Shun the Epic. All the guys who can paint great big pictures can paint great small ones." His aim? Mere perfection. "I write one page of masterpiece to ninety one pages of shit," he confided to F. Scott Fitzgerald in 1934. "I try to put the shit in the wastebasket." --Jane Steinberg

From Library Journal
Yet another volume reproduced to celebrate old Hemingstein's centennial, this 1984 title offers Hemingway's comments on the writing game gleaned by editor Phillips from the author's numerous fiction and nonfiction works as well as his personal correspondence. It's not "how-to" instructional advice but rather Ernesto's impressions on writing and those who do it. More of a fan's book than a practical guide.
Copyright 1999 Reed Business Information, Inc.

About the Author
Ernest Hemingway did more to change the style of English prose than any other writer in the twentieth century, and for his efforts he was awarded the Nobel Prize for literature in 1954. Publication of The Sun Also Rises and A Farewell to Arms immediately established Ernest Hemingway as one of the greatest literary lights of the twentieth century. As part of the expatriate community in 1920s Paris, the former journalist and World War I ambulance driver began a career that led to international fame. He covered the Spanish Civil War, portraying it in fiction in his brilliant novel For Whom the Bell Tolls, and he subsequently covered World War II. His classic novella The Old Man and the Sea won the Pulitzer Prize in 1953. He died in 1961.

Most helpful customer reviews

2 of 2 people found the following review helpful.
Very inspirational. Lovely collection by a master writer.
By Shann Reviews
When I got this book in the mail, I was disappointed at first. I thought I was going to be buying something akin to Stephen King's On Writing, but as soon as I read the introduction from the editor, I learned that Hemingway thought it was bad luck to talk about writing. So of course he would never create a manifesto like King did. I thought, "Great, these are going to be the same quotes you can find online." Nope. I was wrong.

This is essentially a collection of his thoughts on writing gathered from interviews and letters. The editors obviously took a long, painstaking process of putting everything together, and it has quickly become something I am going to treasure.

My reaction to John Gardner's On Writing was traumatizing fear that I wasn't good enough. Stephen King's On Writing is great, except it gave me an unrealistic expectation that if I can't write an award-winning novel like Carrie, then I may as well not try at all. However, this book just inspires me. Plain and simple. I also love the fact that since it's broken up into little quotes, I don't have to waste a lot of time reading it, and get back to actually writing.

1 of 1 people found the following review helpful.
Well edited collection
By Samuel Stevens
This short collection exceprts Hemingway's thoughts on writing and criticism. The editor did an excellent job organizing them along thematic lines.

I had read many of these passages in Hem's other works: A Moveable Feast and the letters quoted in Michael Reynold's multi-volume biography of the writer. This collection brings in some highly insightful passages from the writer's journalism and unpublished correspondence. Hemingway's comments on professional critics are highly entertaining and offer catharsis for the would-be or younger writer.

Ultimately, I simply wanted more. Ten dollars for a short read--while packed with insight--is a lot for a small book. I highly recommend it for anyone unfamiliar with Hemingway's personal views on the craft of writing.

2 of 2 people found the following review helpful.
Random quotes, loosely related.
By Dieter B
I wasn't aware that this was merely a loose collection of quotes on writing. This can be useful, but it actually makes for boring reading. This type of material would be more appropriate on a calendar.

I recommend getting Stephen King's On Writing: 10th Anniversary Edition: A Memoir of the Craft.

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[X504.Ebook] Download Glencoe Health: Teacher's Wraparound Edition, by Mary Bronson Merki, Don Merki

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Glencoe McGraw-Hill's health and fitness program provides a comprehensive health and physical education curriculum for students in grades 6 through 12.

• Sales Rank: #373517 in Books
• Published on: 2005-06
• Original language: English
• Binding: Hardcover

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Four Stars
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good condition, better then expected actually.

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[I712.Ebook] Download PDF ARIES HOROSCOPE 2016, by Lisa Lazuli

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"In some ways it is a 'rites of passage' year where you need to prove yourself, reach personal milestones and make your mark on the world. This is a year where identity issues matter greatly – you will be more in touch with who you are and who you want to be and you will be less tolerant of the demands others put on you if they are not consistent with your inner nature. It is not a case of being who you are and looking for acceptance; it’s about being who you are and loving and accepting yourself no matter what others think."

Following the success of HOROSCOPE 2014 and 2015, Lazuli will again be releasing 12 books: one for each star sign's horoscope for 2016.

A big thank you to all the amazon buyers who supported me in 2014 and 2015.

Are you looking in the mirror wondering what 2016 will hold? Do you feel at an important crossroads? Do you need direction or a kick start? Are you wondering 'what now' in terms of love and relationships? How are the Stars lining up for you in 2016? What opportunities can they supply the energy for?

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NOTE: These are monthly horoscopes.

• Sales Rank: #632413 in eBooks
• Published on: 2015-08-10
• Released on: 2015-08-10
• Format: Kindle eBook

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3 of 3 people found the following review helpful.
Spot on
By Amy Ryan
I love these horoscope books as they make brilliant Christmas presents for my friends. I got the authors ones last year and am getting them again this year for all my friends and family. She is spot on, my book from last year (Gemini) was sooooo to a Tee. Great work

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Bought it for entertainment value its written in the most vague and boring way possible. Would not recommend this book to others. I found it a waste of my money

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[R532.Ebook] Fee Download American Cinema/American Culture, 4th edition, by John Belton

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American Cinema/American Culture looks at the interplay between American cinema and mass culture from the 1890s to 2011. It begins with an examination of the basic narrative and stylistic features of classical Hollywood cinema. It then studies the genres of silent melodrama, the musical, American comedy, the war/combat film, film noir, the western, and the horror and science fiction film, investigating the way in which movies shape and are shaped by the larger cultural concerns of the nation as a whole. The book concludes with a discussion of post World War II Hollywood, giving separate chapter coverage to the effects of the Cold War, 3D, television, the counterculture of the 1960s, directors from the film school generation, and the cultural concerns of Hollywood from the 1970s through 2011.

Ideal for Introduction to American Cinema courses, American Film History courses, and Introductory Film Appreciation courses, this text provides a cultural overview of the phenomenon of the American movie-going experience.

An updated study guide is also available for American Cinema/American Culture. Written by Ed Sikov, this guide introduces each topic with an explanatory overview written in more informal language, suggests screenings and readings, and offers self-tests.�

Instructors and students can now access their course content through the Connect digital learning platform by purchasing either standalone Connect access or a bundle of print and Connect access. McGraw-Hill Connect� is a subscription-based learning service accessible online through your personal computer or tablet. Choose this option if your instructor will require Connect to be used in the course. Your subscription to Connect includes the following:

• SmartBook� - an adaptive digital version of the course textbook that personalizes your reading experience based on how well you are learning the content.
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• The option to purchase (for a small fee) a print version of the book. This binder-ready, loose-leaf version includes free shipping.

Complete system requirements to use Connect can be found here: http://www.mheducation.com/highered/platforms/connect/training-support-students.html

• Sales Rank: #40888 in eBooks
• Published on: 2012-07-01
• Released on: 2012-07-01
• Format: Kindle eBook

About the Author
John Belton, Assistant Professor of English at Rutgers University, is widely admired in film studies for his work with the National Film Preservation Board. He is the coeditor of Film Sound: Theory and Practice and the author of Cinema Stylists and The Films of Robert Mitchum.

Most helpful customer reviews

24 of 24 people found the following review helpful.
A very useful beginners guide to American film.
By C. Burkhalter
Years ago I took an intro-level film class at a community college. This was the text for the class. It was accompanied (at least in my class) by a PBS video series that combined film clips with interviews and historical information. Going into the class I had little more than a passing interest in film and film history. But after taking that class, my passion for film has grown exponentially with each year. But back to the book, I really liked this book and highlighted my way from the front cover to the back cover. There are of course limitations to this book. Firstly, it deals only with American films. Secondly, this book barely breaks the 300-page mark - hardly a comprehensive volume. You aren't going to get any information on John Cassavetes here or anything. Now if you have a chance to use this book in conjunction with the PBS films, I think you'll do much better (in fact I think the vids even give a nod to Cassavetes), but even then please note that this material is for an INTRO-level film class, and won't be much good for someone who already knows a fair amount about American film. But with that in mind, the book still has a lot to offer someone looking to introduce themselves to film history.
The first third of the book starts with the birth of film, moves quickly on to the Hollywood studio system, and walks us through the basics of film style (camerawork, lighting, editing, etc.). The second third covers the basics of film genre; there is a chapter about film noir, one on comedies, one on war films, and one on westerns. This second section was particularly useful to me. I could read each chapter, jot down a list of promising titles, hit my local video store, and I was good to go. The third section covers American film after World War II. In this section things seem a little compressed. 110 pages for 50 years of film? A lot is lost on the cutting room floor. But there's lots to dig into all the same. There's a chapter on Hollywood during the McCarthy years (yikes!), one on film's evolution during the emergence of television, a chapter on 1960s counterculture films, one on the film school directors of the 1970s and 1980s, and finally a pretty weak chapter on film in the 1990s. Oh yeah, and at the end of the book there's a handy glossary (in case you're ever stuck on what point-of-view editing is) and a pretty thorough index.
Again, not a book for someone who already has a good feel for film history. But definitely a great resource for someone new to film studies, or for someone who has trouble finding a movie at Blockbuster on Fridays. It did a great job getting me excited about movies, and I imagine its done the same for others.... A good companion to this text (or possibly an all-out replacement of it) is Scorsese's VHS/DVD, "A Personal Journey With Martin Scorsese Through American Movies."

3 of 3 people found the following review helpful.
A lot of information but worthwhile if you are interested in cinema
By DuaneP
I read this book for my American cinema class. This book has a lot of information and can be overwhelming at time if you are reading a lot in one sitting. I think this book is great for someone who really wants to know the history of cinema and is interested to know how films are structured and designed. I will give you a brief summary of each chapter. The author John Belton divided the book into main parts. Part 1 is titled "The Mode of Production". Chapter 1 is about the emergence cinema as an institution and talks about how cinema functions as both a social and technological institution. He talks about Thomas Edison and the kinescope which lead to nickelodeons and eventually full films. Chapter 2 is titled "Classical Hollywood Cinema: Narration" and is about how cinemas shifted to more of a narrative style. He then talks about segmentation and circular patterns in which Charlie Chaplin's The Gold Rush is analyzed and broken down. The next chapter talks about cinema style and explains details in films including camera angles and distance. There is a whole section on lighting and shows you the different kinds including three-point lighting and high/low key lighting. Chapter 4 is about the studio system which was created to mass produce films. During this time period movie stars were locked into seven-year contracts. The author lists the movie studios that were around in this era and continue to me around like M.G.M, Paramount, Warner Bros, and Universal Pictures to name a few. Chapter 5 explained "The Star System" which involves making stars and star power itself. He explains the differences between a star and an actor. The author explains the characteristics of the stars of different eras.
The next section is "Genre and The Genre System" which starts off with chapter 6 "Silent Film Melodrama ". Melodrama means a drama accompanied by music. This leads into the next chapter which covers musicals. He goes into the different musical forms which include backstage musicals. Integrated musicals include the very famous Singin' in the Rain. Chapter 8 is about American comedy which discusses the different kinds including romantic comedies and screwball comedies. War and Cinema is the next chapter and talks about how the different wars influenced cinema. There have been dozens of movies that are set in World War II which include Saving Private Ryan. The next chapter is "Film Noir: Somewhere in the Night". Film noir is a French phrase that means black film. It refers to an American phenomenon of films that dealt with postwar despair and alienation. The next two chapters deal with three different genre of American film: westerns, horror, and science fiction.
The last section is dealing with postwar history which chapter 13 starts with the cold war. It explains how the tensions of the cold war were reflected in films. Movies of this time reflected cold war paranoia. Hollywood in the age of television is the next chapter and talks about the role of television including the introduction of tapes/dvd. Chapter 15 talks about the 1960s which saw the civil rights movement and counter culture. The next chapter discussed the film school generation which saw directors as stars for the first time. The last chapter goes into the twenty-first century. Reaganite entertainment is discussed here. These films are centered on reassurance, optimism, and nostalgia. As you can see there are a lot of topics covered in this book. However of you are really into films and all its workings, this book is for you.

3 of 3 people found the following review helpful.
Meloy9156
By MeloyW
This book helped me understand more about American film than I ever expected. It brought me from the 1890's all the way up through 2011. Which is a huge difference in movie making and in history. This book has a strong sense of history throughout its pages, guiding the structure of a lot of the chapters as a whole. I enjoyed how it was structured and how the message was given to the reader. The book not only is a history lesson of film but it introduces you to the aesthetics and film form basics. It introduces and explains basic vocabulary of the narrative and the stylistic practices. It gives you the insight to see how things were done and even more importantly why they were done that way. There is a lot that a person can learn from this book as long as they take the time to actually read and absorb its content. It is a very informative book and it keeps your attention throughout. It is not the typical textbook, that tends to be bland and un-interesting, it will definitely give you the necessary perspective to learn more about American Cinema.

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