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Good Morning Blues: The Autobiography of Count Basie, by Count Basie
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Count Basie was one of America’s pre-eminent and influential jazz�pianists, bandleaders, and composers, known for such classics as “Jumpin’ at the Woodside,” “Goin’ to Chicago Blues,” “Sent for You Yesterday and Here You Come Today,” and “One O’Clock Jump.” In Good Morning Blues, Basie recounts his life story to Albert Murray, from his childhood years playing ragtime with his own pickup band at dances and pig roasts, to his years in New York City in search of opportunity, to rollicking anecdotes of Basie’s encounters with Fats Waller, Frank Sinatra, Fred Astaire, Sammy Davis Jr., Quincy Jones, Billie Holliday, and Tony Bennett. In this classic of jazz autobiography that was ten years in the making, Albert Murray brings the voice of Count Basie to the printed page in what is both testimony and tribute to an incredibly rich life.
- Sales Rank: #1473311 in Books
- Published on: 2016-12-14
- Original language: English
- Dimensions: 8.50" h x 1.20" w x 5.50" l, .0 pounds
- Binding: Paperback
- 416 pages
From Publishers Weekly
Long before he thought about becoming a musician, William Basie, son of a Red Bank, N.J., coachman and caretaker, longed to "go on the road touring everywhere in the world of show business with a troupe." In these long, rambling memoirs, skillfully put together from tape recordings, the Count recollects his experiences as a traveling pianist in Missouri and Oklahoma, as a member (with Hot Lips Page and Jimmie Rushing) of the Blue Devils, as organist in a silent-movie house, with Bennie Moten's orchestra in Kansas City, and as leader of one of the greatest jazz bands of all time. Basie pays tribute to his colleagues and managers (and to John Hammond for "discovering" him), but does not hesitate to discuss their weaknesses and shortcomings; his language is direct and earthy. Although some of the book reads more like a catalogue or itinerary than an autobiography, it will have strong appeal for jazz buffs and fans of the late bandleader. Photos not seen by PW. January 1
Copyright 1985 Reed Business Information, Inc.
From Library Journal
Murray compiled this biography from conversations with Basie, who died in 1984. Basie is the narrator looking back at his first jobs playing piano in Red Bank, New Jersey; his performances with Bennie Moten's Orchestra in Kansas City; and his fame as a big band leader from the Thirties to the Eighties. Basie's entertaining memories of his early days of performing in movie theaters and sleeping in pool halls give a more colorful picture of life as a musician in the Thirties than would a conventional history or biography. His chronicle of later years of successful worldwide performances seems commonplace in comparison. Basie laughs at his own motives and foibles and reasonably and modestly assesses his talent in a colloquial style that makes this appealing portrait a valuable record of a personality and an age. William Brockman, Drew Univ. Lib., Madison, N.J.
Copyright 1986 Reed Business Information, Inc.
Review
"Good Morning Blues is a remarkable achievement . . . Mr. Murray is an excellent arranger for the Count, just as the Count was an excellent leader of his orchestra."—New York Times Book Review
"Good Morning Blues is packed with fine stories . . . told in a wry, sly prose that sounds for all the world like Basie himself at the keyboard . . . The book positively sparkles."—Washington Post
"Like Basie’s music, his as-told-to autobiography is decidedly upbeat and life-affirming."—Kirkus Reviews
"A classic in jazz literature."—Shepherd Express
Most helpful customer reviews
3 of 3 people found the following review helpful.
Count Basie autobiography
By C.N.P.
I'm a big Count Basie fan and think "Good Morning Blues" is an excellent book about jazz. Basie talks about the clubs and theater gigs he played throughout his career from the very beginning to the high points of his career. He tells about the musicians who were in the many bands including, The Blue Devils, The Bennie Moten Band, and the Basie band, including many of the early theatrical groups he played for and toured with. It includes his early upbringing in Red Bank, NJ, and his effort to move up to better musical groups. He tells the stories of how poor he and his friends were including the time he and a fellow musician had to sleep in a pool hall and swiped bread from a bakery cart in order to eat. Later on he tells about making the move from Bennie Moten's band to forming his own band after the death of Bennie. He doesn't really dwell on discrimination but does tell a few stories concerned with the hard life for "sepia" musicians. He tells about his early mentor John Hammond from Columbia Records who helped promote Basie throughout his career. Also there are many stories of other musicians who played in clubs. It's a very positive book about jazz with very few disparaging remarks about other people. He tells about other musicians who he looked up to, especially other pianists; very little gossip but plenty of good stories about musicians and what happened during musical engagements. Basie says he was not a strong music reader and there is not a lot of music theory discussed. It is such a warm and positive book, you end up liking his music even more.
1 of 1 people found the following review helpful.
The Count Speaks
By Gordon Cohn
The book gave me some insight into the always-cool minimalist pianist who led the greatest and most dynamic of big bands. Though there is too much diary-like listing of the band's road schedule, still the Count discusses many of the musicians who drove the band and made it the wonder it was through all the years from its beginning in Kansas City through and beyond the "atomic" years. Modest and self-effacing, the Count expresses his admiration of all the great musical figures he encountered and gives credit generously. A good man fronting a great aggregation. The book enhanced my appreciation of all the Basie albums I own and caused me to acquire another five.
5 of 6 people found the following review helpful.
How Did They Do It?
By Dennis S. Marynick
How did Albert Murray and Dan Morgenstern manage to write an uninteresting and at times boring book about the great Count Basie? This is a sanitized and unemotional look at Basie's career. It is full of details that can only be of interest to a Basie historian- and that's about the only good thing you can say about it. I guess The Count wanted it that way. If you want to read everything about Basie that's ever been written, then buy this book. Otherwise, skip it.
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