Minggu, 25 April 2010

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Foul Trouble, by John Feinstein

Bestselling sportswriter John Feinstein exposes the big money and back-room deals that pervade college-basketball recruiting in this fast-break young adult novel.

Terrell Jamerson is the #1 high school basketball player in the country. His team is poised to win State, top colleges are lining up to give him scholarships, and everyone says he could play in the NBA tomorrow. But it only takes one false step to lose everything.

Danny Wilcox is Terrell’s best friend and teammate, and a top prospect himself, but these days it seems like everyone wants to get close to Terrell: the sneaker guys, the money managers, the college boosters. They show up offering fast cars, hot girls, and cold, hard cash. They say they just want to help, but their kind of help could get Terrell disqualified.

Danny and Terrell better keep their eyes on the ball if they hope to last the season.

John Feinstein has been praised as “the best writer of sports books in America today” (The Boston Globe), and he proves it again in this fast-paced novel.

“Thorough and suspenseful; a must-read for those interested in basketball and the dealings surrounding the sport.” —Kirkus Reviews, Starred


From the Hardcover edition.

  • Sales Rank: #72896 in Books
  • Published on: 2014-08-05
  • Released on: 2014-08-05
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.21" h x .84" w x 5.45" l, .81 pounds
  • Binding: Paperback
  • 416 pages

From Booklist
*Starred Review* Fueled by plenty of high-octane sports action, Feinstein’s latest fast-break tale of intrigue and corruption in the world of athletics focuses on the hubbub surrounding a nationally ranked high-school basketball player. Terrell Jamerson has a clear path to the NBA, but there’s an awful lot to navigate through: dazzling offers from colleges, enticing glimpses of the high life offered by unscrupulous scouts and agents, pressures exerted by sleazy “friends,” and eagle-eyed NCAA officials with agendas of their own. Fortunately, not only is Terrell level-headed but he has loyal friends in teammate Danny, a point guard who is also getting noticed by college recruiters, and Danny’s stubbornly honest father, who coaches their team through a series of hard-fought games. A character from previous books, investigative journalist Bobby Kelleher, gets a significant supporting role, and Feinstein brings in actual players, coaches, reporters, and scouts for verisimilitude-building cameos. He also delivers blistering indictments of the NCAA: for leaning heavily on secondary young prospects while turning a blind eye to infractions by major ones and to the recruitment system for blatantly exploiting young athletes. Readers will understand how hard Terrell’s choices are—particularly after two accidents make taking the quick money look like the safer option. They will cheer him, too, as a team leader who ultimately makes decisions for the right reasons. Grades 7-10. --John Peters

Review
Starred Review, Booklist, September 1, 2013:
"Readers will understand how hard Terrell’s choices are—particularly after two accidents make taking the quick money look like the safer option. They will cheer him, too, as a team team leader who ultimately makes makes decisions for the right reasons."

Starred Review, Kirkus Reviews, October 15, 2013:
"Thorough and suspenseful; a must-read for those interested in basketball and the dealings surrounding the sport.”

School Library Journal, November 2013:
A riveting, cautionary tale about behind-the-scenes, big-money pressures confronting talented high school athletes. . . Timely hot topics are embedded in this action-packed sports story. Readers will breathlessly await Terrell’s final decision.”


From the Hardcover edition.

About the Author
JOHN FEINSTEIN is the author of many bestselling books, including�A Season on the Brink�and�A Good Walk Spoiled.�His books for young readers offer a winning combination of sports, action, and intrigue, with�Last Shot�receiving the Edgar Allan Poe Award for best young adult mystery of the year. He lives in Potomac, Maryland, and Shelter Island, New York, with his family.

Most helpful customer reviews

2 of 2 people found the following review helpful.
He said he loved it and couldn't put it down
By Tracey Williams
My 13 year old son read this in two days. He said he loved it and couldn't put it down. When he finished, he went straight to our local library and checked out all of the other books by this author.

1 of 1 people found the following review helpful.
Five Stars
By carolu3771
John Feinstein tells the story of two friends both having the same dreams but likely different outcome called “Foul Trouble.” Terrell and Danny were chosen for a special type of basketball showcase summer camp for high school players who are some of the top players at their position in the country. They both know that Terrell will never be alone while at the camp. Danny knowing that some people will try to get as close as they can to get Terrell to come to join them in some company. So, Danny knowing that will try to stay as close as he can to Terrell before something happens. But, Danny soon finds out that colleges are going to go after him and Terrell. After what seems to be Danny and Terrell’s longest year of their life they make their decisions that will change their lives forever. Where will Danny and Terrell go to college? “We are going to make history.” (Pg. 390) Will Terrell ever be left alone? Will someone else join Danny and Terrell on their on going adventure? I recommend this book to anyone in 6th grade or older who likes sports and understand the seriousness of getting a scholarship for a sport.

2 of 2 people found the following review helpful.
12 year old student athlete approved!
By Michele Keen
My 12 yr old son is reading "Foul Trouble" way past his bedtime. I say that is criteria for 5 stars!

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Sabtu, 24 April 2010

[E776.Ebook] PDF Ebook Sport Marketing 4th Edition With Web Study Guide, by Bernard Mullin, Stephen Hardy, William Sutton

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Sport Marketing 4th Edition With Web Study Guide, by Bernard Mullin, Stephen Hardy, William Sutton

Sport Marketing, Fourth Edition With Web Study Guide, has been streamlined and updated to keep pace with the latest information and issues in the competitive world of sport marketing. This text maintains its position as the best-selling and original text in the field, continuing to direct students to a better understanding of the theoretical backbone that makes sport marketing such a unique and vibrant subject to study. Using the new full-color format and companion web study guide, students will stay engaged as they explore how fans, players, coaches, the media, and companies interact to drive the sport industry.

Heavily updated with more contributions from industry professionals and emphasis on social media platforms that have revolutionized the field in recent years, this edition contains practical material that prepares students for careers in sport marketing. It also includes these updates:

•A web study guide featuring exclusive video interviews with industry professionals and accompanying activities that tie core concepts and strategies from the book into applied situations

•Instructor ancillaries enhanced by gradable chapter quizzes that can be used with learning management systems

•An attractive and engaging full-color interior

•Chapter objectives, opening scenarios, engaging sidebars, and photos throughout the text that guide students in grasping important concepts

•Wrap-Up, Activities, and Your Marketing Plan sections at the end of each chapter that offer opportunities for self-assessment and review

The highly respected authors have long been recognized for their ability to define this exciting field, combining academic study and current research with industry experience for an unmatched learning experience for students preparing to enter the working world. The content in this fourth edition of Sport Marketing has been reorganized to make it easier to use in the classroom. Chapters 1 through 3 provide an overview of the field of sport marketing as an area of study and profession. Chapters 4 and 5 teach students how to research and study the behaviors of sport consumers, including an overview of marketing segmentation. Chapters 6 through 13 provide extensive information on the nuts and bolts of the field, including the five Ps of sport marketing and special sections on branding, sales and service, engagement and activation, community relations, and social media. The final chapters explore legal issues, integration, and the future of sport marketing.

Instructors may also take advantage of the student web study guide and complete package of ancillaries to enhance learning and presentation of core concepts. All materials, including the web study guide, instructor guide, test package, presentation package plus image bank, and LMS-compatible chapter quizzes, are available online.

The world of sport marketing continues to evolve. Sport Marketing, Fourth Edition With Web Study Guide, offers students a complete view of the expansive field of sport, providing an understanding of the foundations of sport marketing and how to enhance the sport experience.

  • Sales Rank: #205341 in Books
  • Published on: 2014-06-12
  • Original language: English
  • Number of items: 1
  • Dimensions: 11.20" h x 1.10" w x 8.80" l, 3.66 pounds
  • Binding: Hardcover
  • 504 pages

About the Author

Bernard J. Mullin, PhD, is chairman and CEO of the Aspire Group, a leading global management and marketing consulting business focusing on the sport and entertainment industry. He previously served as president and chief executive officer of Atlanta Spirit, LLC, where he was responsible for overseeing all team and business operations for the NBA's Hawks and NHL's Thrashers and management of the world-class Philips Arena.

Mullin has more than 30 years of experience in the sport management industry involving executive positions with professional teams and leagues, where he specializes in start-ups and turnarounds, breaking numerous all-time league ticket sales and attendance records. In addition to his position in Atlanta, Mullin served as the NBA’s senior vice president of marketing and team business operations, president and general manager of the IHL’s Denver Grizzlies, senior vice president of business operations for the Colorado Rockies, and senior vice president of business for the Pittsburgh Pirates. He has also acted as the owner’s representative on major design and construction projects, including Coors Field and University of Denver’s award-winning athletic facilities.

Before and during his career in professional sports, Mullin spent several years in intercollegiate athletics and higher education. He served as vice chancellor of athletics for the University of Denver and as professor of sport management at the University of Massachusetts. Mullin holds a PhD in business, an MBA, and an MS in marketing from the University of Kansas, where he coached the varsity soccer program. He holds a BA in business studies from Coventry University in England, where he played soccer semiprofessionally for the Oxford City Football Club.

Stephen Hardy, PhD, was a professor of kinesiology and affiliate professor of history at the University of New Hampshire until his retirement in 2014. In 2003-2004, he served as interim vice provost for undergraduate studies. Hardy has also taught at the University of Massachusetts (where he earned his PhD), the University of Washington, Robert Morris College, and Carnegie Mellon University. Over three decades, he taught courses in sport marketing, athletic administration, and sport history as well as a popular introduction to the sport industry. Besides Sport Marketing, his publications include How Boston Played (1982, 2003) and numerous articles, book chapters, and reviews in academic presses. He is completing a coauthored history of ice hockey. His reviews and opinions have appeared in popular outlets such as the Boston Globe, New York Times, and Sports Business Journal. From 1995 to 1999, he was coeditor of Sport Marketing Quarterly. In 1997, he was elected a fellow of the American Academy of Kinesiology and Physical Education. He has won college and university awards for excellence in research and teaching. Hardy has extensive experience in college athletics. He played hockey for Bowdoin College�in the late 1960s and cocaptained the 1969-70 team with his twin brother, Earl. After coaching stints at Vermont Academy and Amherst College, he joined the Eastern College Athletic Conference in 1976, where he served as assistant commissioner and hockey supervisor until 1979. During that time, he supervised collegiate championships in venues such as the Boston Garden and Madison Square Garden, and he worked closely with the NCAA Ice Hockey Committee and its affiliated championships. He served on the board of directors of the America East Athletic Conference from 2000 to 2002. In 2003, he was selected by the Hockey East Association as one of 20 special friends to celebrate the league’s 20th anniversary. At UNH he served as faculty representative to the NCAA and chaired the president’s Athletics Advisory Committee from 1996 to 2011. He is a founder of the Charles E. Holt Archives of American Hockey, which are located at UNH’s Dimond Library. He lives with his wife, Donna, in Durham, New Hampshire.

William A. Sutton, EdD, is the founding director and professor at the sport and entertainment business management graduate program in the management department at the University of South Florida. He is the founder and principal of Bill Sutton & Associates, a consulting firm specializing in strategic marketing and revenue enhancement. Sutton has gained national recognition for his ability to meld practical experience in professional sports with academic analysis and interpretation.

His consulting clients cover a who’s who of professional athletics: the NBA, WNBA, NHL, Orlando Magic, Phoenix Suns, MSG Sports, and New York Mets. Sutton frequently serves as an expert on the sport business industry. His insights and commentary have appeared in USA Today, New York Times, CNBC.com, Washington Times, Fox Business, Orlando Sentinel, South Florida Sun-Sentinel, Advertising Age, and Brand Week. On the international front, Sutton is a contributor to the Italian publications Basketball Gigante and FIBA Assist.

Sutton served as vice president of team marketing and business operations for the National Basketball Association. In addition to working at the NBA, Sutton was past president of the North American Society for Sport Management (NASSM), a founding member and past president of the Sport Marketing Association (SMA), president of the Southern Sport Management Association, a special events coordinator for the City of Pittsburgh, a YMCA director, vice president of information services for an international sport marketing firm, and commissioner of the Mid-Ohio Conference. He was inducted into the College of Education Hall of Fame at Oklahoma State University (2003) and as an inaugural member of the Robert Morris University Sport Management Hall of Fame (2006), and received lifetime achievement awards from the Southern Sport Management Association (2012) and the Sport Entertainment & Venues Tomorrow conference at the University of South Carolina. He lives with his wife, Shana, in Tampa and Clearwater Beach, Florida.

Most helpful customer reviews

0 of 0 people found the following review helpful.
This book is full of great imformation. The only reason I didn't give it ...
By Carlie
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Four Stars
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Sabtu, 17 April 2010

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Jumat, 16 April 2010

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World Studies ©2008 The United States and Canada Student Edition

Customize your own unique balance of history, geography, and culture with your choice of eight small-book or two full-volume options! Using standards-based content and research-proven reading instruction, World Studies expands students' understanding of each world region through a focus on its major countries. Considerate text design and narrative combine with enhanced reading strategies�€”such as Target Reading Skills and key terms defined in context�€”to make lessons accessible to students at all levels.

Features and Benefits

Interactive maps Lead students to geographic literacy with MapMaster™—the map skills instruction system enhanced with online maps.

  • Research-based reading instruction Integrated reading skills instruction and vocabulary development improve comprehension for all students.
  • Technology that brings content to life Take exciting journeys around the world with over 20 Discovery Channel School � World Studies video segments per book, integrated at point-of-use.
  • Hands-on activities Geographer's Apprentice Activity Pack presents activities that explore the geography of the world's regions through maps, data, and primary sources.

    • Sales Rank: #785697 in Books
    • Published on: 2006-08-25
    • Original language: English
    • Number of items: 1
    • Dimensions: 11.20" h x .75" w x 8.70" l, 1.75 pounds
    • Binding: Hardcover
    • 216 pages

    Most helpful customer reviews

    0 of 0 people found the following review helpful.
    Nice book
    By Lmiller
    Since our lovely state of PA had not approved the school budget, the kids were not allowed to bring books home (mainly because there weren't enough of them to go around). I decided to just buy the book so we had one to study from at home and it was used but fine for this purpose.

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  • Rabu, 14 April 2010

    [A167.Ebook] Free PDF Nancy Drew 32: The Scarlet Slipper Mystery, by Carolyn Keene

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    • Sales Rank: #11577919 in Books
    • Published on: 1955-01-01
    • Number of items: 2
    • Binding: Hardcover

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    [K593.Ebook] Download Abakan 2288: Kallamity's World of Mecha Design Part 1., by Luca Zamprioli

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    "Abakan 2288" takes you inside an imaginary future world where natural resources are dwindling, which is dominated by robots - Hard Doll Machines - mass-produced from recycled metal. It also creatively reveals how to conceptualize, fabricate and finish machine robots. This is a mixture of the steamunk aesthetic with mecha designs and sci-fi which gives a stunningly original vision of the future.

    • Sales Rank: #12292785 in Books
    • Published on: 2012-02-01
    • Original language: English
    • Number of items: 1
    • Dimensions: 9.96" h x .51" w x 9.88" l, .0 pounds
    • Binding: Paperback
    • 176 pages

    About the Author
    Zamprioli, aka Kallamity, is a painter, graphic artist and sculptor. He currently specialises in creating collectible limited edition mecha design robots which are highly sought-after. He designs the master patterns that are then cast and he assembles the pieces to create "machine dolls" ranging in size from about a foot high to the head of a pin.

    Most helpful customer reviews

    12 of 12 people found the following review helpful.
    Amazing book of mecha model design
    By Parka
    [[VIDEOID:mo17VBKC3N2EHD3]]This is an amazing book featuring the mecha art and models of Luca Zampriolo, aka Kallamity. Great for anyone interested in assembling, building or designing mechas.

    The concept is set in the future in a world that has run out of resources. The idea is not particular unique but more to provide background. As usual, there will be one powerful entity, in this case the Weingart family, who has the power and technology to build all sorts of stuff of which some are mechas.

    The book starts of with concept art for the dystopia future world. It looks like there are mining plants built everywhere, even in cities with skyscrapers there are factories spilling out smoke just beside.

    The rest of the book are concept art for mechas and a selected few are being made into actual models. There are only a few featured because each one has an crazy amount of detail. One model took 11 months to finish. They are mainly the walker-type heavy mechas, a spaceship carrier and a crew all suited up. You can see some design influence from Kow Yokoyama which was mentioned in the book.

    There are photos of all the created parts either by casting or sculpting. The models are made from Milliput (bicomponent stucco) and plasticard. For one of the human models, Super Sculpey was used.

    Every piece created is intricately designed and worked on. For example, you can see all the tiny holes for ventilation grills. All surfaces have details even though some were eventually covered up by other parts. There are also many photos from different angles, and photos at different stages of completion.

    Lengthy commentary is provided on how each mecha was designed and built. It's not tutorial style so it's not a beginners book. Some of what's mentioned might make more sense to actual model builders. Towards the end, there are also some guest designers featured, like Michael Fichtenmayer, Ryu Seoung Ho, Matt Tomczek and Jason Stalnaker.

    Highly recommended for mecha lovers. Even if you don't build or assemble them, there are plenty of designs to see.

    (There are more pictures of the book on my blog. Just visit my Amazon profile for the link.)

    0 of 0 people found the following review helpful.
    One man's heart and soul put into book form
    By law1349
    There's not a whole lot to say other than some of the work in this book is just mind-blowing. I think it's amazing how he kit-bashed together all these awesome mech designs. Plus, if I remember correctly, he's spent 11 years working on this whole storyline he's created. You can tell he's passionate about his craft. I wish I was as dedicated. I'll admit, I haven't read through all the text just yet. I was more interested in the artistic side. His drawings/paintings aren't great, but I bought this for the sculpting/kit-making parts of the book. If you're looking for a book with lots of different variations of mecha, this is probably not the best place to look. A lot of the designs are similar, as they are supposed to be chronological upgrades of older mechs in this world he's created. Interesting stuff.

    0 of 0 people found the following review helpful.
    Good illustrations, and good story too.
    By Elias De la Torre
    Nice story that goes with even nicer drawings. I didn't know anything about this author but I really like mecha design, this book fulfills both the imaging and a good story as well. I would recommend if you like mechas and sci-fi stories. I won't spoil or anything but the story happens in the future when only a handful of families control de world supplies of fuel.

    EDIT:
    So I finished reading this book and I wanted to give an update. This book has a small story about the mecha world, but also has some detailed photographs and tips on how the artist creates, models and paints some of its models. It has some techniques to use table salt to weather your model kits and, though it is not a manual on how to paint model kits, gives some good tips to amateurs like me.

    Overall I would recommend this book if you are interested both in mecha design and model kit building.

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    The National Veterinary Medical Series (NVMS) is an effective, economical system for learning and review. Basic and clinical veterinary sciences are outlined in a practical format that enables you to master large amounts of information in a limited amount of time.

    The books in the NVMS help you prepare for the National Boards and the Clinical Competency Test and are excellent resources for problem-based learning.

    • Sales Rank: #917463 in Books
    • Brand: Brand: Wiley-Blackwell
    • Published on: 1996-01-15
    • Released on: 1996-10-01
    • Original language: English
    • Number of items: 1
    • Dimensions: 10.00" h x .70" w x 7.00" l, 1.30 pounds
    • Binding: Paperback
    • 313 pages
    Features
    • Used Book in Good Condition

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    The National Veterinary Medical Series (NVMS) is an effective, economical system for learning and review. Basic and clinical veterinary sciences are outlined in a practical format that enables you to master large amounts of information in a limited amount of time.

    The books in the NVMS help you prepare for the National Boards and the Clinical Competency Test and are excellent resources for problem-based learning.

    About the Author
    Franklin A. Ahrens, DVM, PhD, Professor of Pharmacology, Department of Veterinary Physiology and Pharmacology, Iowa State University, College of Veterinary Medicine, Ames, Iowa.

    Most helpful customer reviews

    3 of 3 people found the following review helpful.
    Outdated, I would not recommend.
    By C. Shaw
    I ordered this book and was seriously disappointed (I returned it). It is OK for basic pharmacology, but all of drug listings are seriously outdated, no azithromycin, no marbofloxacin... I would go on, but I stopped looking. I would not recommend this text. The "Handbook of Pharmacology" by Hsu is the updated version and definitely worth the bigger price tag.

    0 of 0 people found the following review helpful.
    Great quick reference! A little old
    By Elizabeth Adam
    I had a professor lend me her copy of this book. It is is an excellent quick reference. The outline format is wonderful and makes the book very easy to flip through, However, it is outdated. Dr. Hsu is one of the co-authors of this book and he has an updated version which I would recommend. It is called "the Handbook of Veterinary Pharmacology" and there are two editions of it.

    0 of 0 people found the following review helpful.
    Five Stars
    By Yoleidi
    Excelente

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    Minggu, 11 April 2010

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    Improvisation for Classical, Fingerstyle, and Jazz Guitar - Creative Strategies, Technique and Theory: Is the product of over twenty five years experience as a professional musician and guitar tutor. Contains more than sixty exercises, in both standard notation and guitar tablature, ranging from simple, clear examples of the topics under discussion, to longer more complex sections of music that illustrate how these ideas can be developed. Suggests new techniques, and strategies, offering guitarists practical ideas for solo or group performance, recording, music exams, and expanding musical horizons. Demonstrates how to use improvisation as a universal way of making music, enabling Classical, Fingerstyle, and Jazz players to learn the essential skills to create sophisticated and rewarding improvised pieces. Places theory and practice in a much broader context, by including discussions on the historical development of improvisation, along with supplementary information on a wide range of inter-related literature and listening. Contains an extensive appendix showing how to adapt and apply the CAGED system, demonstrating how its five basic patterns can be transformed into hundreds of interlocking modes, scales, arpeggios and chords. www.paulcostelloguitar.co.uk www.facebook.com/pages/Paul-Costello-Guitar/328473160531215

    • Sales Rank: #2165808 in Books
    • Brand: Brand: Paragon Publishing
    • Published on: 2012-02-27
    • Original language: English
    • Number of items: 1
    • Dimensions: 11.69" h x .25" w x 8.27" l, .68 pounds
    • Binding: Paperback
    • 120 pages
    Features
    • Used Book in Good Condition

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    [F405.Ebook] Download PDF Monumenta Asiae Minoris Antiqua Vol. XI: Monuments from Phrygia and Lykaonia recorded

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    Monumenta Asiae Minoris Antiqua Vol. XI: Monuments from Phrygia and Lykaonia recorded

    Monumenta Asiae Minoris Antiqua XI: Monuments from Phrygia and Lykaonia is a corpus of 387 Greek and Latin inscriptions and other ancient and medieval monuments from inner Anatolia (Phrygia, Lykaonia, and south-western Galatia). Most of these monuments were recorded by William Calder and Michael Ballance in annual expeditions to Asia Minor between 1954 and 1957. The results of these expeditions were never published, and around three-quarters of the monuments in the volume are published here for the first time. All the inscriptions are translated in full, with extensive commentaries and photographic illustration. The volume includes a geographical introduction to the sites and regions covered by the corpus, and full indices.

    Peter Thonemann teaches Greek and Roman history at Wadham College, Oxford. He is the author of The Maeander Valley: A Historical Geography from Antiquity to Byzantium (Cambridge, 2011), and the editor of Roman Phrygia: Culture and Society (Cambridge, 2013), a companion volume to this corpus.

    • Sales Rank: #6729012 in Books
    • Published on: 2013-10-11
    • Original language: English
    • Number of items: 1
    • Dimensions: 10.90" h x 1.30" w x 8.30" l, .92 pounds
    • Binding: Hardcover
    • 399 pages

    About the Author
    Peter Thonemann is Fellow and Tutor in Ancient History at Wadham College, University of Oxford. His first sole-authored monograph, The Maeander Valley (Cambridge University Press, 2011), was awarded the prestigious Runciman Prize in 2012. More recently, he has published a large corpus of inscriptions from Roman Asia Minor (Monumenta Asiae Minoris Antiqua XI: Monuments from Phrygia and Lykaonia, 2013) and has edited two collections of essays on the history of Asia Minor in antiquity (Attalid Asia Minor, 2013 and Roman Phrygia, Cambridge University Press, 2013).

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    [W992.Ebook] Ebook Free Rethink: The Surprising History of New Ideas, by Steven Poole

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    Rethink: The Surprising History of New Ideas, by Steven Poole

    A brilliant and groundbreaking argument that innovation and progress are often achieved by revisiting and retooling ideas from the past rather than starting from scratch—from The Guardian columnist and contributor to The Atlantic.

    Innovation is not always as innovative as it may seem. This is the story of how old ideas that were mocked or ignored for centuries are now storming back to the cutting edge of science and technology, informing the way we lead our lives. This is the story of Lamarck and the modern-day epigeneticist whose research vindicated his mocked 200-year-old theory of evolution; of the return of cavalry use in the war in Afghanistan; of Tesla’s bringing back the electric car; and of the cognitive scientists who made breakthroughs by turning to ancient Greek philosophy.

    Drawing on examples from business to philosophy to science, Rethink shows what we can learn by revisiting old, discarded ideas and considering them from a novel perspective. From within all these rich anecdotes of overlooked ideas come good ones, helping us find new ways to think about ideas in our own time—from out-of-the-box proposals in the boardroom to grand projects for social and political change.

    Armed with this picture of the surprising evolution of ideas and their triumphant second lives, Rethink helps you see the world differently. In the bestselling tradition of Malcolm Gladwell, Poole’s new approach to a familiar topic is fun, convincing, and brilliant—and offers a clear takeaway: if you want to affect the future, start by taking a look at the past.

    • Sales Rank: #97019 in Books
    • Published on: 2016-11-15
    • Released on: 2016-11-15
    • Original language: English
    • Dimensions: 9.00" h x 1.20" w x 6.00" l, .0 pounds
    • Binding: Hardcover
    • 352 pages

    Review
    "A�magic carpet ride through the history of thought, viewed from such a height that unexpected patterns and correspondences emerge...It is testament to the author’s narrative skill that this whirlwind of�discovery doesn’t end up in a pile of�papers scattered across the floor... His powers of orchestration succeed. Among the greatest compliments you can give a�book is that it helps you to see things�differently. So long as you’re not�dazzled by the fireworks,�Rethink�could�do just that." (The Guardian)

    "Clever and entertaining...�Startling... Fascinating... When it comes to describing a complex idea clearly, Poole is one of the best writers around... A thoughtful and thought-provoking book." (Sunday Times (UK))

    "Entertaining and important... Elegantly written and full of surprises." (Daily Telegraph (UK))

    "Full of fascinating stories about ideas that were thought to be rubbish at the time but whose hour came later... A�treasure trove... The pleasure, and it is considerable, is in the examples... Where the arts merely accumulate, science progresses. Yet it does so by swirling back on itself. That is in itself an insight that is well served by a clever and entertaining book which, if it does nothing else, will make me more fun at parties." (The Times (UK))

    "An always entertaining and often eye-opening taxonomy of old ideas that refuse to die... I see�Rethink�as a kind of post-modern, post-ironic smart-thinking book, undercutting the genre's pretensions by borrowing its old clothes, drawing our attention to how its so-called new ones belong to the emperor. This rises far above satire or parody because what Poole actually says is largely both true and interesting.�I don't think anyone has subverted the smart-thinking genre like this before. That's inspired rethinking." (Financial Times (UK))

    “A fascinating compendium of new ideas that aren’t new at all.” (The New Statesman)

    "Fascinating... Exciting... Poole invites us to be a bit bolder than we often are, to challenge accepted truths, to revisit old ideas and even to play with some crazy new ones...�Rethink�makes you, well, rethink...�With this book, Poole confirms his standing as one of our liveliest and most thought-provoking writers on science and technology... A�stimulating journey that challenges our fixation with ‘winners’, but also with novelty for novelty’s sake...�Rethink�invites us to be skeptical and to look back, but perhaps just as important, I think, it also encourages us to be more creative when looking ahead." (The Spectator (UK))

    "Entertaining... Remarkably accessible and well-organized. Such a cross-section of material guarantees there is something here for everyone."� (Publishers Weekly)

    "The stories behind these�ideas with their twists and turns through the years make fascinating reading. Poole has written an�entertaining and informative book that provides a new appreciation for the past." (Booklist)

    About the Author
    Steven Poole is the award-winning author of Rethink, Unspeak, Trigger Happy, You Aren’t What You Eat, and Who Touched Base In My Thought Shower?. He writes a column on language for The Guardian, and his work on ideas and culture also appears in The Wall Street Journal, The New Statesman, The Atlantic, The Baffler, The Point, The Times Literary Supplement, Edge, and many other publications. He was educated at Cambridge, lived for many years in Paris, and is now based in East London.

    Excerpt. � Reprinted by permission. All rights reserved.
    Rethink 1 Introduction: The Age of Rediscovery
    An invasion of armies can be resisted, but not an idea whose time has come.

    —VICTOR HUGO

    Rethink, v.:

    (i) To think about an idea again;

    (ii) To change how you think about it.

    The electric car is the future. And it has been the future for a very long time. The first known electric car was built in 1837 by an Aberdeen chemist named Robert Davidson. It is now all but forgotten that by the end of the nineteenth century a fleet of electric taxis—known as hummingbirds for their characteristic engine sound—worked the streets of London. The commissioner of the Metropolitan Police approved of their potential to solve the city’s burgeoning traffic problem, since they took up less than half the road space of horse-drawn cabs. Similar taxis also touted for trade in Paris, Berlin, and New York; by the turn of the century, more than thirty thousand electric cars were registered in the United States. They were much more popular than gasoline-powered cars. They were less noisy and had no polluting exhaust. The twentieth century was obviously going to be the electric century.1

    Yet in a little more than a decade, production of such vehicles had slowed, and then eventually stopped. The drivers of London’s horse-drawn cabs had mounted a vigorous campaign pointing out breakdowns and accidents in their electrically powered rivals, and so put the London Electric Cab Company out of business.2 (The electric taxis did suffer technical problems, but they were exaggerated by their rivals, just as the taxi drivers of modern Manhattan and London are keen to paint Uber in as bad a light as possible.) Meanwhile, discoveries of large oil reserves brought the price of petroleum tumbling, and Henry Ford began to sell gasoline-powered cars that were half the price of electric ones. The construction of better roads in America encouraged longer journeys, which electric cars could not manage on their limited battery power. So it was the internal-combustion engine, after all, that won the century.

    And then, at last, came the tech entrepreneur Elon Musk, who made a fortune from cofounding PayPal and then plowed it all into building elaborate machines in California. In 2004 he became an early funder and chairman of a Silicon Valley start-up called Tesla Motors, when almost everyone still thought that electric cars were a bad idea. “It is frequently forgotten in hindsight that people thought this was the shittiest business opportunity on the planet,” Tesla cofounder J. B. Straubel remembers. “The venture capitalists were all running for the hills.”3 But Musk was able to act as his own venture capitalist. He soon became Tesla’s CEO, and in 2008 Tesla launched the first highway-capable electric car, the $109,000 Roadster. It ran on lithium-ion batteries, of a similar kind to those used in laptops and phones, and it could go more than two hundred miles between charges. Most important, it didn’t look like a clunky eco-vehicle; it looked like a flashy sports car. Musk had delayed the car’s development by insisting that Tesla’s first model should have a carbon-fiber body and be able to accelerate from zero to sixty in less than four seconds. In doing so, he made the electric car desirable. It was a status symbol for the eco-savvy wealthy. George Clooney, Matt Damon, and Google’s Larry Page and Sergey Brin bought themselves Roadsters.4

    Tesla’s next product was a slightly more sober-looking car for the mainstream market, the Model S. The S was short for “sedan” or “saloon,” but it also had a hidden historical message. Henry Ford, famously, made a Model T; well, just as S comes before T in the alphabet, so electric cars came before Ford’s gasoline cars. “And in a way we’re coming full circle,” Musk told his biographer, “and the thing that preceded the Model T is now going into production in the twenty-first century.”5 The Model S was a hit: it was also the safest car ever tested by the American highway safety authorities.6 By 2015 Tesla was selling fifty thousand cars per year. In the meantime, established car companies such as Nissan and BMW had begun producing electric vehicles too. In 2016, Tesla announced its Model 3, with a base price of only $35,000. Within twenty-four hours the company had taken preorders worth more than $7 billion. “Future of electric cars looking bright!” Musk exclaimed on Twitter. Maybe the second time around, the idea would stick.

    The modern electric car is a great idea, made more viable by new technology—but it is not a new idea. And what is true in the consumer tech industry is true in science and other fields of thinking. The story of human understanding is not a gradual, stately accumulation of facts, a smooth transition from ignorance to knowledge. It’s more exciting than that: a wild roller-coaster ride full of loops and switchbacks. We tend to think of the past as less intellectually evolved than the present, and in many respects it is. Yet what if the past contained not only muddle and error but also startling truths that were never appreciated at the time? Well, it turns out that it does.

    This book is about ideas whose time has come. They were born hundreds or thousands of years ago. But their time is now. Many of them spent a lot of time being ridiculed or suppressed, until someone saw them in a new light. They are coming back at the cutting edge of modern technology, biology, cosmology, political thought, business theory, philosophy, and many other fields. They are being rediscovered, and upgraded. Thought of again, and thought about in new ways—rethought. Creativity is often defined as the ability to combine existing ideas from different fields. But it can also be the imaginative power of realizing that a single overlooked idea has something to it after all. We are living in an age of innovation. But it is also an age of rediscovery. Because surprisingly often, it turns out, innovation depends on old ideas.
    Just in time
    Old is the new new. Many personal trainers have abandoned weight machines and now recommend old-school exercises such as gymnastics and kettlebells. In the food industry there is a trend for cooking elaborate feasts that the aristocracy might have enjoyed five hundred years ago. In the age of music streamed over the Internet, the coolest way to release your new album is on vinyl. Bicycle-powered rickshaws ply the streets of Manhattan and London. Adults buy coloring books. Even airships are back. (The British-made, helium-filled, hundred-meter-long Airlander 10 is designed to compete with helicopters for moving heavy cargo; others foresee a return to passenger airships in our skies, and NASA has developed concepts for airships that could resupply a space station floating in the clouds of Venus.)

    Alongside this multifaceted cultural turn to the past, however, there is also a tremendous focus on the new. Smartphones, smartwatches, fitness trackers; start-up culture and a new global skyscraper race; Uber and WhatsApp—the pace of change, we are routinely told, is greater than ever before in human history. The past is just one long roll call of mistakes. We now know better. History is old hat; the future is just around the corner. “Conformity to old ideas is lethal,” says a former executive editor of Time magazine. This is “the age of the unthinkable.”7

    But these opinions about our culture—the retro and the futuristic, “old is the new new” versus “the age of innovation”—are themselves very old. And so is the tension that arises from holding them at the same time. The pace of technological change today is impressive, but hardly more so than that of the nineteenth century. The twenty-five years between 1875 and 1900 saw the invention of the refrigerator, the telephone, the electric lightbulb, the automobile, and the wireless telegraph. (Not to mention the paper clip, just squeezing into the century in 1899.) Yet, in the same era, the Arts and Crafts movement was pushing a decidedly romantic return to older ideas of traditional craftsmanship and design; poets were reworking Arthurian myth; and the Renaissance was being rediscovered and hailed as the crucible of modernity. The late nineteenth century was looking both forwards and backwards, in ways that seemed unprecedented then as well.

    Perhaps every age imagines itself as having a uniquely complex relationship to the past and fails to recognize that every previous era—at least since, say, the Renaissance itself—has done so too. But what are the consequences in our day when we fail to recognize an idea as an old one? The widespread assumption that it is necessary to start afresh with our uniquely modern wisdom is encapsulated in the “Silicon Valley ideology,” which insists that venerable social institutions (such as higher education) positively need to be “disrupted” by technology companies. The concept of innovation here is reduced to a curiously thin idea: a picture of the maverick young entrepreneur having a flash of inspiration and inventing something from nothing, to change the world. The old ways of doing things must everywhere be replaced. It is the philosophy of Snapchat, the photo and video messaging app whose messages are deleted permanently after a few seconds. What is past cannot help us; it must vanish completely.

    This Valley dream of disruptive invention was beautifully satirized by a one-day event at New York University in 2014 called the “Stupid Shit No One Needs and Terrible Ideas Hackathon,” whose entries included a Google Glass app to make the user vomit on command, and a version of Tinder—for babies. If no one’s had an idea before, that might be because it’s an unprecedented stroke of genius—but it also might be because the idea’s just not worth having. Elon Musk, for one, does not consider himself to be in the business of disruption. “I’m often introduced onstage as someone who likes to disrupt,” he has said. “And then the first thing I have to say is, ‘Wait, I don’t actually like to disrupt, that sounds�.�.�. disruptive!’ I’m much more inclined to say, ‘How can we make things better?’ ”8

    As we’ll see, innovators can often make things better by resurrecting and improving the past—as with the Tesla electric car. The philosopher of science Paul Feyerabend observed, “No invention is ever made in isolation.”9 Either isolated from other thinking people, or isolated in time. What other forgotten ideas might one day be rediscovered, with the help of a little rethink?

    We all love a good idea, but how can we tell whether an idea is good? Is an idea good because it’s useful, or because it will be financially profitable, or because it is morally praiseworthy, or because it inspires other thinkers? Is it an idea that helps others? Or is it an idea that merely revolutionizes one’s picture of the universe? Potentially any or all of the above, it seems. It is appealing to judge ideas primarily on their usefulness, but usefulness can be more narrowly or broadly conceived. Useful for what? To whom? And when? Dividing ideas into good and bad is a blunt approach. We can do better.

    For one thing, our perception of an idea will change over time. And that drives rediscovery. The electric car was a good idea given the problems of congestion and (organic) pollution caused by horse-drawn carriages. But it was arguably not such a good idea given what cheap gasoline-powered cars could do. The first electric cars could run only about thirty miles on a single charge, and in the early twentieth century society had no pressing reason to wean itself off fossil fuels. Advances in battery technology, together with modern climate science, have turned a problematic idea into a very good one.

    So what is an idea, exactly? Is it the same as a thought, or a proposition? Is it an initial inspiration or a final conclusion? Is it a spark of genius or the outcome of long, pedantic toil? We might not be able to pin down a precise definition of “idea,” but as the judge said about pornography, we know it when we see it. What counts as an idea is itself a subject for rethinking. And if we don’t rethink the way we think about ideas, we might miss out on extraordinary possibilities.

    Everybody knows, though, that some past ideas were obviously bad. They were just plain wrong; they were permanently superseded by new discoveries. Now we look on them fondly as just funny mistakes. Of all the discarded ideas in history, perhaps one of the least reputable is alchemy. The notion that you could turn base metals into gold? Ridiculous. We regret that even Isaac Newton, for all his brilliance, was seduced by alchemical researches. To modern eyes, alchemy looks like wishful thinking at best, and esoteric fraud at worst. Alchemy is what people did before they discovered science.

    Take the idea of the philosopher’s tree. According to obscure hints and scraps from laboratory notebooks of the seventeenth century, this was a precursor to the more famous philosopher’s stone, which would turn lead into gold. By planting a specially prepared seed of gold, so it was written, you could grow a whole tree of gold. That was the philosopher’s tree. A pretty fiction.

    Except that, a decade ago, Lawrence Principe, an American chemist and historian of science, decided to see if it actually worked. He cooked up some philosophical mercury, a special form of mercury for which he found instructions in the secret alchemical writings of Robert Boyle, one of the founders of modern chemistry. Following a recipe that Principe reconstructed from seventeenth-century alchemical treatises and experimental notebooks, he mixed the philosophical mercury with gold and sealed the mixture in a glass egg. As he watched, it began to bubble, then rise like a baking loaf. Then it liquidized. After several days’ more heating, it had turned into what Principe called a “dendritic fractal,” a structure with ramifying branches. There, before his eyes, was a golden tree.10

    Alchemy wasn’t so ridiculous after all. Historians now argue, for example, that Robert Boyle essentially “pillaged” the work of alchemists for valuable insights while denouncing the practice as nonsense in public. In other words, he was performing a kind of dishonest rethink, taking ideas from the past and presenting them as new, while ridiculing the earlier thinkers who had had them in the first place. Present-day studies have also confirmed the usefulness of ancient alchemical recipes for pigments and oils. Much of the occult weirdness, it turns out, fades away when investigators manage to translate coded terms in the old texts. According to a 2015 study in Chemical & Engineering News, for example, “Historians have now figured out that dragon’s blood refers to mercury sulfide, and ‘igniting the black dragon’ likely means igniting finely powdered lead.”11 Alchemy was not antiscience superstition; it was the best science anyone could do at the time.

    When an old idea that was so obviously wrong turns out to have been right, we may be forced to rethink our ideas about the past—and our ideas about ideas themselves.
    Twenty-twenty hindsight
    Elon Musk’s electric-car company is named after Nikola Tesla, the wizardly Serbian American engineer and inventor active in the late nineteenth and early twentieth centuries, who pioneered the modern alternating-current (AC) electricity supply against Thomas Edison’s direct current (DC). (Tesla was hauntingly impersonated by none other than David Bowie in Christopher Nolan’s 2006 film, The Prestige.) In 1888, Tesla patented a design for the first AC induction motor—the kind that Tesla Motors engineers designed their first car around more than a century later.

    In 1926, Nikola Tesla was asked to imagine how the world might look fifty years in the future. “When wireless is perfectly applied, the whole earth will be converted into a huge brain,” he declared. “Through television and telephony we shall see and hear one another as perfectly as though we were face-to-face, despite intervening distances of thousands of miles; and the instruments through which we shall be able to do his will be amazingly simple compared with our present telephone. A man will be able to carry one in his vest pocket.”12

    Wow. Smartphones.

    Tesla also predicted, “Aircraft will travel the skies, unmanned, driven and guided by radio.”

    Yep: drones.

    And Tesla foresaw, “International boundaries will be largely obliterated and a great step will be made toward the unification and harmonious existence of the various races inhabiting the globe.”

    Oh, well. Two out of three ain’t bad.

    Tesla’s vision of the technology of the future was impressively accurate. But this book isn’t about amazing predictions. Once you start looking, it can be tempting to see anticipations of exciting modern ideas everywhere in the past, but we must be careful in our identifications. To conclude complacently that there is nothing new under the sun is to insult those thinkers who really did discover or dream up something unprecedented. On the other hand, to celebrate every possible foreshadowing of a good idea as brilliance would be to risk seeing genius where often mere chance is at work. This point was well expressed by the nineteenth-century German scientist Hermann von Helmholtz. He complained about the number of untested scientific hypotheses in the journals of his time: “Among the great number of such ideas, there must be some which are ultimately found to be partially or wholly correct; it would be a stroke of skill always to guess falsely. In such a happy chance a man can loudly claim his priority for the discovery; if otherwise, a lucky oblivion conceals the false conclusions.”13 Very true. So if someone anticipates a later idea just by guessing randomly, that’s nice. But even roulette players betting on red or black are correct about half the time. So mere predictions won’t constitute the kind of heroic foresight we will celebrate in those thinkers who really got something right.

    Science, as we’ll see, is both a field in which a lot of rethinking is currently taking place, and also itself a tool—maybe the best one we have—for rethinking. But it’s a tool whose limitations are too often denied. With the best of intentions, the defenders of science in our time paint a misleading picture of it. This is perhaps understandable, since more than 40 percent of Americans believe that God created humans a mere ten thousand years ago, and the robust findings of climate science are routinely rejected by cynical political operators. As a result, science tends to be portrayed by its advocates as the smooth-running machine by which humanity has gradually become enlightened, and the only reliable source of knowledge. Some even attempt to show that science can be the source of our moral values. Privately, many of science’s champions are no doubt more sophisticated, but in public they often oversimplify.

    As this book will show, however, the borders between science and other disciplines (such as philosophy) are porous, and that is a good thing. Human understanding in general can often proceed only by the mistaken promotion of error. Above all, good ideas can be found, but then rejected or ridiculed for decades or centuries or millennia before they are finally rediscovered. Yes, the past is riddled with error and fraud. In other words, it is much like the present. But it also contains surprising gems that lie waiting to be unforgotten.



    Some of the ideas in this book have lately reemerged in fields of hard scientific research—the notion that mice can inherit a fear of the smell of cherries, say, or that our universe is just one of an eternally bubbling multitude. Some, on the other hand, might just strike you as loopy—the idea that electrons have free will, or that there are infinitely many donkeys. But all of these ideas are carefully reasoned. To be sure, as the old joke goes, there is no opinion so ridiculous that some philosopher has not held it. But as we’ll see in Part II, what seems ridiculous is often as important as what seems sensible.

    Soon we will just be another part of history ourselves—and what then? What of the future of ideas? As advertisements for investment products are obliged to say, the past is not a reliable guide to the future. But it’s the only one we’ve got. Ideas that are ridiculed by the mainstream or by the experts often turn out to be just ahead of their time—but that is not license to believe any old rubbish today. And ideas that seem obviously right today will no doubt be ridiculed in years to come—but that is no reason to abandon all hope in our own judgment. Aristotle thought that slavery was acceptable because some people were slaves by nature. In Part III of this book, I’ll ask, What is our equivalent conventional wisdom that will embarrass future generations on our behalf? And what apparently ridiculous ideas are we not taking seriously enough right now?

    The art of rethinking, and rediscovery, lies in questioning our ideas of authority, knowledge, judgment, right and wrong, and the processes of thinking itself. Ideas cannot be pinned down like butterflies: they come from people living and thinking through time, and are passed among us down the centuries. The same idea can be bad at one time and good at another. An idea can be bad in the sense of incorrect, but nonetheless good because it is the necessary stepping-stone to something better. More generally, rethinking suggests that an idea can be good in the sense of useful, even if it is bad in the sense of wrong. It can be a placebo idea. Outrageously, it sometimes might not matter whether an idea is true or false.

    The pioneering nineteenth-century psychologist William James, brother of the exquisitely verbose novelist Henry, is often credited (perhaps apocryphally) with this ironic diagnosis of an idea’s faltering progress to acceptance: “When a thing is new, people say: ‘It is not true.’ Later, when its truth becomes obvious, they say: ‘It is not important.’ Finally, when its importance cannot be denied, they say: ‘Anyway, it is not new.’ ”14 That transition can take an awful long time—and cause an awful lot of sorrow along the way.

    The world of ideas is a moving target. What follows is a freeze-frame. It’s easy to picture ideas as static packages of thought that can be definitively judged. But that is not really accurate. Like a shark, an idea needs to keep moving to stay alive. An idea is a process just as much as a thing. And that process is seldom one long, linear march to enlightenment. If we are not constantly rethinking ideas, we are not really thinking. As the French say, reculer pour mieux sauter—if you step back first, you can jump farther. The best way forward can be to go into reverse. And the best new ideas are often old ones. As we’ll see next, that goes even for cutting-edge microsurgery and modern warfare.

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    1 of 1 people found the following review helpful.
    New ideas have many birth parents
    By aron row
    There is nothing new under the sun, a cliche that British writer Steven Poole examines in great detail, specifically in the area of ideas. Current innovations that are now broadcast as brilliant findings actually have a history of having been seeded in earlier times. In the realm of evolution, the now well-regarded biologist Lamarck in the late eighteenth century had his theory of acquired characteristics ruefully dismissed, yet his notion of environmental influence on genes has now been revived in epigenetic research. A new viable anti-malarial drug was developed from a plant described in an ancient Chinese textbook. Before bacteria were recognized as carriers of disease, Semmelweis instituted a regime of disinfectant hand washing and was laughed out of the medical profession. Greek philosophers pondered the makeup of matter, which developed into atomic theory. A tract written by a Chinese general around 500 BCE included strategies that are still used by the military, bankers, and criminals. The name Tesla should call to mind both the far-seeing inventor and the auto that honors his name. New ideas need time to mature, and their rawness frequently chafes the unexposed spectator. In this lengthy review of current innovations, the author advises us to first review the history of the idea to see how it has adapted to the prevailing culture.

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